filmMovement
P12614
predicate
Indicates the cinematic movement or stylistic school with which a film is associated.
Observed surface forms (2)
- filmEditingStyle ×8
- cinemaMovement ×2
Sample triples (16)
| Subject | Object |
|---|---|
| Battleship Potemkin |
Soviet montage school
ⓘ
surface form:
Soviet montage cinema
|
| Carefree | classical Hollywood cinema via predicate surface "filmEditingStyle" ⓘ |
|
documentary 'Dont Look Back'
surface form:
Dont Look Back
|
Direct Cinema via predicate surface "cinemaMovement" ⓘ |
|
documentary 'Dont Look Back'
surface form:
Dont Look Back
|
cinéma vérité via predicate surface "cinemaMovement" ⓘ |
| Last Tango in Paris | European art cinema ⓘ |
| Midnight Cowboy | New Hollywood ⓘ |
| None but the Lonely Heart | narrative feature via predicate surface "filmEditingStyle" ⓘ |
| October: Ten Days That Shook the World | Soviet montage ⓘ |
| Only Angels Have Wings | classical Hollywood cinema via predicate surface "filmEditingStyle" ⓘ |
| Quick Change | narrative feature via predicate surface "filmEditingStyle" ⓘ |
| Slattery’s Hurricane | narration with flashbacks via predicate surface "filmEditingStyle" ⓘ |
| The Madness of King George | narrative feature via predicate surface "filmEditingStyle" ⓘ |
| The Man Who Knew Too Much (1934 film) | British cinema of the 1930s ⓘ |
| The Osterman Weekend | features extensive use of video surveillance imagery via predicate surface "filmEditingStyle" ⓘ |
| The Snake Pit |
Hollywood Golden Age
ⓘ
surface form:
classical Hollywood cinema
|
| We Don't Live Here Anymore | character-driven via predicate surface "filmEditingStyle" ⓘ |