Triple

T6285620
Position Surface form Disambiguated ID Type / Status
Subject José Ortega y Gasset E140891 entity
Predicate notableWork P4 FINISHED
Object La deshumanización del arte
La deshumanización del arte is a 1925 essay by Spanish philosopher José Ortega y Gasset that analyzes the emergence of modern art and its deliberate break from traditional, human-centered representation.
E582693 NE FINISHED

How this triple was built (4 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: La deshumanización del arte | Statement: [José Ortega y Gasset, notableWork, La deshumanización del arte]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: La deshumanización del arte
Context triple: [José Ortega y Gasset, notableWork, La deshumanización del arte]
  • A. Collection de l’Art Brut
    The Collection de l’Art Brut is a renowned Lausanne museum dedicated to outsider art, showcasing works created outside traditional artistic institutions.
  • B. White Crucifixion
    White Crucifixion is a 1938 painting by Marc Chagall that portrays the crucified Jesus surrounded by scenes of Jewish persecution, often interpreted as a powerful response to rising antisemitism in Europe.
  • C. The Image as Burden
    The Image as Burden is a renowned painting by contemporary artist Marlene Dumas that explores themes of intimacy, vulnerability, and the emotional weight of representation.
  • D. The Triumph of Painting
    The Triumph of Painting is a landmark contemporary art exhibition that helped revive and spotlight painting in the early 21st-century art scene.
  • E. The Art of Cruelty
    The Art of Cruelty is a critical work of cultural theory in which Maggie Nelson examines representations of violence and suffering in art, film, and literature, questioning their ethical and aesthetic implications.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg Description generation gpt-5.1
Instruction
Generate a one-sentence description of the target entity. 
You are given a context triple in the form (subject, predicate, object), where the object is the target entity. 
# Instructions
Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. 
Avoid repeating the information from the triple, unless really essential.
# Response Format
Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: La deshumanización del arte
Triple: [José Ortega y Gasset, notableWork, La deshumanización del arte]
Generated description
La deshumanización del arte is a 1925 essay by Spanish philosopher José Ortega y Gasset that analyzes the emergence of modern art and its deliberate break from traditional, human-centered representation.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: La deshumanización del arte
Target entity description: La deshumanización del arte is a 1925 essay by Spanish philosopher José Ortega y Gasset that analyzes the emergence of modern art and its deliberate break from traditional, human-centered representation.
  • A. Collection de l’Art Brut
    The Collection de l’Art Brut is a renowned Lausanne museum dedicated to outsider art, showcasing works created outside traditional artistic institutions.
  • B. White Crucifixion
    White Crucifixion is a 1938 painting by Marc Chagall that portrays the crucified Jesus surrounded by scenes of Jewish persecution, often interpreted as a powerful response to rising antisemitism in Europe.
  • C. The Image as Burden
    The Image as Burden is a renowned painting by contemporary artist Marlene Dumas that explores themes of intimacy, vulnerability, and the emotional weight of representation.
  • D. The Triumph of Painting
    The Triumph of Painting is a landmark contemporary art exhibition that helped revive and spotlight painting in the early 21st-century art scene.
  • E. The Art of Cruelty
    The Art of Cruelty is a critical work of cultural theory in which Maggie Nelson examines representations of violence and suffering in art, film, and literature, questioning their ethical and aesthetic implications.
  • F. None of above. chosen

Provenance (5 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69c008cd17c8819082b82d3fbeb68047 completed March 22, 2026, 3:20 p.m.
NER Named-entity recognition batch_69c063fe59fc81908dbd968017771190 completed March 22, 2026, 9:49 p.m.
NED1 Entity disambiguation (via context triple) batch_69c5196defc08190810c6d208ade918b completed March 26, 2026, 11:33 a.m.
NEDg Description generation batch_69c529857afc8190b8807615ea2b4e4d completed March 26, 2026, 12:41 p.m.
NED2 Entity disambiguation (via description) batch_69c58854c0c081908beccb626e923af3 completed March 26, 2026, 7:26 p.m.
Created at: March 22, 2026, 4:26 p.m.