La deshumanización del arte
E582693
La deshumanización del arte is a 1925 essay by Spanish philosopher José Ortega y Gasset that analyzes the emergence of modern art and its deliberate break from traditional, human-centered representation.
All labels observed (1)
| Label | Occurrences |
|---|---|
| La deshumanización del arte canonical | 1 |
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
essay
ⓘ
literary work ⓘ philosophical work ⓘ |
| argues |
art becomes play and pure vision rather than expression of feelings
ⓘ
modern art deliberately abandons human‑centered representation ⓘ modern art emphasizes form over content ⓘ modern art is addressed to a minority elite ⓘ modern art tends to be inintelligible to the masses ⓘ |
| author | José Ortega y Gasset NERFINISHED ⓘ |
| countryOfOrigin | Spain ⓘ |
| firstPublishedIn | Revista de Occidente NERFINISHED ⓘ |
| focusesOn |
anti‑realism in art
ⓘ
autonomy of artistic form ⓘ break with traditional representation ⓘ distance between artist and public ⓘ |
| genre |
aesthetic essay
ⓘ
philosophy of art ⓘ |
| hasPart |
essay "Ideas sobre la novela"
ⓘ
other short essays on contemporary art ⓘ |
| hasTranslation | The Dehumanization of Art NERFINISHED ⓘ |
| influenced |
20th‑century aesthetics
ⓘ
Spanish literary criticism ⓘ later debates on modernism ⓘ |
| influencedBy |
European modernism
NERFINISHED
ⓘ
avant‑garde movements of the early 20th century ⓘ |
| mainTopic |
aesthetics
ⓘ
art criticism ⓘ avant-garde ⓘ dehumanization of art ⓘ modern art ⓘ |
| notableIdea |
art as game of the intellect
ⓘ
art for artists rather than for the public ⓘ dehumanization as a defining trait of modern art ⓘ separation between artistic object and lived reality ⓘ |
| originalLanguage | Spanish ⓘ |
| period | early 20th century ⓘ |
| philosophicalTradition |
Spanish philosophy
ⓘ
continental philosophy ⓘ |
| publicationYear | 1925 ⓘ |
| publisher | Revista de Occidente NERFINISHED ⓘ |
| relatedTo |
José Ortega y Gasset's theory of the masses and elites
ⓘ
The Revolt of the Masses NERFINISHED ⓘ |
| setting | context of European avant‑garde movements ⓘ |
| timePeriodDiscussed | late 19th and early 20th century art ⓘ |
| translatedInto |
English
ⓘ
French ⓘ German ⓘ Italian ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.