Triple
T22655205
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Marat/Sade (stage production) |
E559204
|
entity |
| Predicate | influencedBy |
P9
|
FINISHED |
| Object | Artaudian theatre of cruelty |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Artaudian theatre of cruelty | Statement: [Marat/Sade (stage production), influencedBy, Artaudian theatre of cruelty]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Artaudian theatre of cruelty Context triple: [Marat/Sade (stage production), influencedBy, Artaudian theatre of cruelty]
-
A.
Theatre of Cruelty
chosen
Theatre of Cruelty is an experimental theatrical movement and theory developed by Antonin Artaud that seeks to shock audiences into confronting deeper psychological and social truths through intense, sensory, and often disturbing performances.
-
B.
Theatre of the Absurd
Theatre of the Absurd is a post–World War II dramatic movement characterized by illogical situations, fragmented dialogue, and existential themes that highlight the absurdity and meaninglessness of human existence.
-
C.
Theatre of the Oppressed
Theatre of the Oppressed is an interactive theatrical methodology developed by Augusto Boal that uses performance as a tool for social and political empowerment, dialogue, and change.
-
D.
Symbolist theatre
Symbolist theatre is a late 19th-century dramatic movement that emphasized mood, suggestion, and metaphor over realistic representation, often using dreamlike staging and poetic language to explore inner realities and spiritual themes.
-
E.
Viennese Actionism
Viennese Actionism was a radical 1960s Austrian avant-garde art movement known for its extreme, often violent and taboo-breaking performance actions that challenged social and aesthetic norms.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e245489dd88190b1f674acf61c8769 |
completed | April 17, 2026, 2:35 p.m. |
| NER | Named-entity recognition | batch_69f1765a97ac819095f21ccbdada1d0a |
completed | April 29, 2026, 3:09 a.m. |
Created at: April 17, 2026, 3:06 p.m.