Marat/Sade (stage production)
E559204
Marat/Sade (stage production) is Peter Brook’s groundbreaking Royal Shakespeare Company staging of Peter Weiss’s play that blends historical drama with avant-garde theatrical experimentation.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Marat/Sade (stage production) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5987080 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Marat/Sade (stage production) Context triple: [Peter Brook, directed, Marat/Sade (stage production)]
-
A.
The Parisian Woman (play)
The Parisian Woman is a contemporary political drama play by Beau Willimon that explores power, ambition, and personal relationships in Washington, D.C.
-
B.
Marche au supplice
Marche au supplice is the dramatic fourth movement of Hector Berlioz’s Symphonie fantastique, depicting the protagonist’s opium-induced vision of his own march to the guillotine.
-
C.
No Exit
No Exit is a famous existentialist play by Jean-Paul Sartre that explores themes of freedom, self-deception, and the idea that "hell is other people."
-
D.
No Exit
No Exit is a significant film work by Australian artist and filmmaker George Gittoes, reflecting his focus on war, conflict, and human resilience.
-
E.
No Exit
No Exit is a 1999 comeback studio album by American rock band Blondie that marked their return to recording after a long hiatus and featured the hit single "Maria."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Marat/Sade (stage production) Target entity description: Marat/Sade (stage production) is Peter Brook’s groundbreaking Royal Shakespeare Company staging of Peter Weiss’s play that blends historical drama with avant-garde theatrical experimentation.
-
A.
The Parisian Woman (play)
The Parisian Woman is a contemporary political drama play by Beau Willimon that explores power, ambition, and personal relationships in Washington, D.C.
-
B.
Marche au supplice
Marche au supplice is the dramatic fourth movement of Hector Berlioz’s Symphonie fantastique, depicting the protagonist’s opium-induced vision of his own march to the guillotine.
-
C.
No Exit
No Exit is a famous existentialist play by Jean-Paul Sartre that explores themes of freedom, self-deception, and the idea that "hell is other people."
-
D.
No Exit
No Exit is a significant film work by Australian artist and filmmaker George Gittoes, reflecting his focus on war, conflict, and human resilience.
-
E.
No Exit
No Exit is a 1999 comeback studio album by American rock band Blondie that marked their return to recording after a long hiatus and featured the hit single "Maria."
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
stage production
ⓘ
theatrical production ⓘ |
| adaptedAs | Marat/Sade (1967 film) NERFINISHED ⓘ |
| artForm |
drama
ⓘ
theatre ⓘ |
| associatedWith |
Peter Brook
NERFINISHED
ⓘ
Peter Weiss NERFINISHED ⓘ Royal Shakespeare Company NERFINISHED ⓘ |
| basedOn |
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade
NERFINISHED
ⓘ
play by Peter Weiss ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| director | Peter Brook NERFINISHED ⓘ |
| featuresCharacter |
Jean-Paul Marat
NERFINISHED
ⓘ
Marquis de Sade NERFINISHED ⓘ |
| form | play-within-a-play ⓘ |
| genre |
avant-garde theatre
ⓘ
historical drama ⓘ political theatre ⓘ |
| hasSubject |
class struggle
ⓘ
madness ⓘ political ideology ⓘ revolution ⓘ violence ⓘ |
| historicalContext | post-war European theatre ⓘ |
| influenced | later experimental theatre productions ⓘ |
| influencedBy |
Artaudian theatre of cruelty
NERFINISHED
ⓘ
epic theatre ⓘ |
| languageOfPerformance | English ⓘ |
| medium | live theatre ⓘ |
| notableFor |
breaking the fourth wall
ⓘ
innovative staging ⓘ integration of music and movement ⓘ politically charged interpretation ⓘ use of ensemble physical theatre ⓘ |
| originalLanguage | German ⓘ |
| performanceStyle |
ensemble
ⓘ
highly physical ⓘ |
| premiereCountry | United Kingdom NERFINISHED ⓘ |
| premiereDate | 1964 ⓘ |
| premiereLocation |
Royal Shakespeare Theatre, Stratford-upon-Avon
NERFINISHED
ⓘ
Stratford-upon-Avon NERFINISHED ⓘ |
| producedBy | Royal Shakespeare Company NERFINISHED ⓘ |
| productionCompany | Royal Shakespeare Company NERFINISHED ⓘ |
| setInPeriod | French Revolution NERFINISHED ⓘ |
| stagedIn | 1960s ⓘ |
| theatricalCompany | Royal Shakespeare Company NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Marat/Sade (stage production) Description of subject: Marat/Sade (stage production) is Peter Brook’s groundbreaking Royal Shakespeare Company staging of Peter Weiss’s play that blends historical drama with avant-garde theatrical experimentation.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.