Triple
T22398194
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Salon of 1879 |
E553690
|
entity |
| Predicate | alsoKnownAs |
P39
|
FINISHED |
| Object | Paris Salon of 1879 |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Paris Salon of 1879 | Statement: [Salon of 1879, alsoKnownAs, Paris Salon of 1879]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Paris Salon of 1879 Context triple: [Salon of 1879, alsoKnownAs, Paris Salon of 1879]
-
A.
Paris Salon of 1882
The Paris Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading and emerging artists of the time.
-
B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
-
C.
Paris Salon of 1846
The Paris Salon of 1846 was a major annual French art exhibition particularly noted for being the subject of Charles Baudelaire’s influential critical essay that helped shape modern art criticism.
-
D.
Paris Salon of 1845
The Paris Salon of 1845 was a major annual French art exhibition in Paris that gained particular historical significance through Charles Baudelaire’s influential critical review of its paintings and artistic trends.
-
E.
Paris Salon of 1863
The Paris Salon of 1863 was a landmark French art exhibition best known for the controversial "Salon des Refusés," where works rejected by the official jury—such as Manet’s "Le Déjeuner sur l’herbe"—helped catalyze the rise of modern art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Paris Salon of 1879 Target entity description: The Paris Salon of 1879 was a major annual official art exhibition in Paris that showcased contemporary academic and emerging artists, reflecting the artistic tastes and institutional power of the French art establishment in the late 19th century.
-
A.
Paris Salon of 1882
The Paris Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading and emerging artists of the time.
-
B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
-
C.
Paris Salon of 1846
The Paris Salon of 1846 was a major annual French art exhibition particularly noted for being the subject of Charles Baudelaire’s influential critical essay that helped shape modern art criticism.
-
D.
Paris Salon of 1845
The Paris Salon of 1845 was a major annual French art exhibition in Paris that gained particular historical significance through Charles Baudelaire’s influential critical review of its paintings and artistic trends.
-
E.
Paris Salon of 1863
The Paris Salon of 1863 was a landmark French art exhibition best known for the controversial "Salon des Refusés," where works rejected by the official jury—such as Manet’s "Le Déjeuner sur l’herbe"—helped catalyze the rise of modern art.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e11e4da7048190b4387d422a9a0de5 |
completed | April 16, 2026, 5:37 p.m. |
| NER | Named-entity recognition | batch_69f15861ac248190a967f534feea0265 |
completed | April 29, 2026, 1:01 a.m. |
Created at: April 16, 2026, 8:46 p.m.