Salon of 1879
E553690
The Salon of 1879 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary artists of the time.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Salon de Paris system | 1 |
| Salon of 1879 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5795588 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Salon of 1879 Context triple: [Madame Georges Charpentier and Her Children, exhibitedAt, Salon of 1879]
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A.
Salon of 1892
The Salon of 1892 was the official annual Paris art exhibition of that year, showcasing contemporary works by leading artists within the prestigious, state-sponsored French academic tradition.
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B.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
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C.
Salon of 1882
The Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading artists of the late 19th century.
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D.
Salon of 1863
The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
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E.
Salon of 1857
The Salon of 1857 was a major official art exhibition in Paris that showcased contemporary works and played a key role in shaping mid-19th-century French artistic taste and public reception.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Salon of 1879 Target entity description: The Salon of 1879 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary artists of the time.
-
A.
Salon of 1892
The Salon of 1892 was the official annual Paris art exhibition of that year, showcasing contemporary works by leading artists within the prestigious, state-sponsored French academic tradition.
-
B.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
-
C.
Salon of 1882
The Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading artists of the late 19th century.
-
D.
Salon of 1863
The Salon of 1863 was a landmark French art exhibition, known for the controversial "Salon des Refusés" that showcased rejected works like Manet’s "Le Déjeuner sur l’herbe" and helped spark the rise of modern art.
-
E.
Salon of 1857
The Salon of 1857 was a major official art exhibition in Paris that showcased contemporary works and played a key role in shaping mid-19th-century French artistic taste and public reception.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Paris Salon
ⓘ
annual exhibition ⓘ art exhibition ⓘ |
| alsoKnownAs | Paris Salon of 1879 NERFINISHED ⓘ |
| artMovementContext |
academic art
ⓘ
emergence of modern art in France ⓘ |
| associatedWith |
French academic art
ⓘ
Paris art scene ⓘ |
| audience |
art collectors
ⓘ
art critics ⓘ general public ⓘ |
| chronology |
follows Salon of 1878
ⓘ
preceded Salon of 1880 ⓘ |
| continent | Europe ⓘ |
| country | France ⓘ |
| culturalContext | French Third Republic NERFINISHED ⓘ |
| culturalSignificance | benchmark of academic taste in 19th-century France ⓘ |
| era | late 19th century ⓘ |
| exhibited |
drawings
ⓘ
painting ⓘ prints ⓘ sculpture ⓘ |
| field | visual arts ⓘ |
| frequency | annual ⓘ |
| genre | fine art exhibition ⓘ |
| governingBody | Institut de France NERFINISHED ⓘ |
| historicalRole | maintained dominance of official Salon system in 1879 ⓘ |
| influenced | careers of contemporary French artists ⓘ |
| language | French ⓘ |
| location | Paris ⓘ |
| mediumsIncluded |
bronze sculpture
ⓘ
marble sculpture ⓘ oil painting ⓘ |
| operatedBy | Académie des Beaux-Arts jury ⓘ |
| organizer |
Académie des Beaux-Arts
NERFINISHED
ⓘ
French Académie des Beaux-Arts NERFINISHED ⓘ |
| partOf |
Paris Salon exhibitions
NERFINISHED
ⓘ
official Salon of the Académie des Beaux-Arts ⓘ |
| purpose | to display contemporary artworks selected by the Académie des Beaux-Arts ⓘ |
| regulatedBy | rules of the Académie des Beaux-Arts ⓘ |
| selectionProcess | juried exhibition ⓘ |
| significance |
central event of the Parisian art world in 1879
ⓘ
major showcase for contemporary artists in France ⓘ |
| startTime | 1879 ⓘ |
| timePeriod | 1870s ⓘ |
| typeOfExhibition | official state-sponsored exhibition ⓘ |
| venue | Palais des Champs-Élysées NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Salon of 1879 Description of subject: The Salon of 1879 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary artists of the time.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.