Triple

T21472488
Position Surface form Disambiguated ID Type / Status
Subject Fletcher–Munson equal-loudness contours E529765 entity
Predicate refinedBy P4448 FINISHED
Object Robinson–Dadson equal-loudness contours NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Robinson–Dadson equal-loudness contours | Statement: [Fletcher–Munson equal-loudness contours, refinedBy, Robinson–Dadson equal-loudness contours]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Robinson–Dadson equal-loudness contours
Context triple: [Fletcher–Munson equal-loudness contours, refinedBy, Robinson–Dadson equal-loudness contours]
  • A. Fletcher–Munson equal-loudness contours
    The Fletcher–Munson equal-loudness contours are a set of curves that describe how the human ear’s sensitivity to sound varies with frequency and sound pressure level, forming the basis for understanding perceived loudness in acoustics and audio engineering.
  • B. The Sense of Hearing
    "The Sense of Hearing" is a Baroque genre painting by Flemish artist Theodoor Rombouts, depicting figures engaged in music-making to personify the human sense of hearing.
  • C. "Spatial Hearing: The Psychophysics of Human Sound Localization"
    "Spatial Hearing: The Psychophysics of Human Sound Localization" is a seminal scientific monograph that systematically examines how humans perceive the direction and space of sounds, integrating psychoacoustics, physiology, and signal processing.
  • D. Audiogram
    Audiogram is a Canadian independent record label known for promoting francophone and alternative artists.
  • E. Sabine reverberation formula
    The Sabine reverberation formula is a foundational equation in architectural acoustics that relates a room’s reverberation time to its volume and total sound-absorbing surface.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Robinson–Dadson equal-loudness contours
Target entity description: Robinson–Dadson equal-loudness contours are a set of experimentally derived curves that describe how the human ear’s sensitivity to sound varies with frequency and level, providing an improved standard over earlier loudness contour data.
  • A. Fletcher–Munson equal-loudness contours
    The Fletcher–Munson equal-loudness contours are a set of curves that describe how the human ear’s sensitivity to sound varies with frequency and sound pressure level, forming the basis for understanding perceived loudness in acoustics and audio engineering.
  • B. The Sense of Hearing
    "The Sense of Hearing" is a Baroque genre painting by Flemish artist Theodoor Rombouts, depicting figures engaged in music-making to personify the human sense of hearing.
  • C. "Spatial Hearing: The Psychophysics of Human Sound Localization"
    "Spatial Hearing: The Psychophysics of Human Sound Localization" is a seminal scientific monograph that systematically examines how humans perceive the direction and space of sounds, integrating psychoacoustics, physiology, and signal processing.
  • D. Audiogram
    Audiogram is a Canadian independent record label known for promoting francophone and alternative artists.
  • E. Sabine reverberation formula
    The Sabine reverberation formula is a foundational equation in architectural acoustics that relates a room’s reverberation time to its volume and total sound-absorbing surface.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0c459acb481909bb6ee452a0045c7 completed April 16, 2026, 11:13 a.m.
NER Named-entity recognition batch_69e9ea14756081908c615590c68904d5 completed April 23, 2026, 9:44 a.m.
Created at: April 16, 2026, 6:19 p.m.