Triple
T21472488
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Fletcher–Munson equal-loudness contours |
E529765
|
entity |
| Predicate | refinedBy |
P4448
|
FINISHED |
| Object | Robinson–Dadson equal-loudness contours |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Robinson–Dadson equal-loudness contours | Statement: [Fletcher–Munson equal-loudness contours, refinedBy, Robinson–Dadson equal-loudness contours]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Robinson–Dadson equal-loudness contours Context triple: [Fletcher–Munson equal-loudness contours, refinedBy, Robinson–Dadson equal-loudness contours]
-
A.
Fletcher–Munson equal-loudness contours
The Fletcher–Munson equal-loudness contours are a set of curves that describe how the human ear’s sensitivity to sound varies with frequency and sound pressure level, forming the basis for understanding perceived loudness in acoustics and audio engineering.
-
B.
The Sense of Hearing
"The Sense of Hearing" is a Baroque genre painting by Flemish artist Theodoor Rombouts, depicting figures engaged in music-making to personify the human sense of hearing.
-
C.
"Spatial Hearing: The Psychophysics of Human Sound Localization"
"Spatial Hearing: The Psychophysics of Human Sound Localization" is a seminal scientific monograph that systematically examines how humans perceive the direction and space of sounds, integrating psychoacoustics, physiology, and signal processing.
-
D.
Audiogram
Audiogram is a Canadian independent record label known for promoting francophone and alternative artists.
-
E.
Sabine reverberation formula
The Sabine reverberation formula is a foundational equation in architectural acoustics that relates a room’s reverberation time to its volume and total sound-absorbing surface.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Robinson–Dadson equal-loudness contours Target entity description: Robinson–Dadson equal-loudness contours are a set of experimentally derived curves that describe how the human ear’s sensitivity to sound varies with frequency and level, providing an improved standard over earlier loudness contour data.
-
A.
Fletcher–Munson equal-loudness contours
The Fletcher–Munson equal-loudness contours are a set of curves that describe how the human ear’s sensitivity to sound varies with frequency and sound pressure level, forming the basis for understanding perceived loudness in acoustics and audio engineering.
-
B.
The Sense of Hearing
"The Sense of Hearing" is a Baroque genre painting by Flemish artist Theodoor Rombouts, depicting figures engaged in music-making to personify the human sense of hearing.
-
C.
"Spatial Hearing: The Psychophysics of Human Sound Localization"
"Spatial Hearing: The Psychophysics of Human Sound Localization" is a seminal scientific monograph that systematically examines how humans perceive the direction and space of sounds, integrating psychoacoustics, physiology, and signal processing.
-
D.
Audiogram
Audiogram is a Canadian independent record label known for promoting francophone and alternative artists.
-
E.
Sabine reverberation formula
The Sabine reverberation formula is a foundational equation in architectural acoustics that relates a room’s reverberation time to its volume and total sound-absorbing surface.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0c459acb481909bb6ee452a0045c7 |
completed | April 16, 2026, 11:13 a.m. |
| NER | Named-entity recognition | batch_69e9ea14756081908c615590c68904d5 |
completed | April 23, 2026, 9:44 a.m. |
Created at: April 16, 2026, 6:19 p.m.