reception
P9965
predicate
Indicates the act of receiving or welcoming someone or something, often marking the initial acknowledgment or acceptance in an interaction or process.
All labels observed (6)
| Label | Occurrences |
|---|---|
| reception canonical | 442 |
| welcomed | 4 |
| يستقبل | 4 |
| greetedIn | 3 |
| receivesGuest | 2 |
| USReception | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: reception
Generated description
Indicates the act of receiving or welcoming someone or something, often marking the initial acknowledgment or acceptance in an interaction or process.
Sample triples (456)
| Subject | Object |
|---|---|
| Hamp's Boogie Woogie | considered a classic boogie-woogie jazz piece ⓘ |
| Hamp's Boogie Woogie | regarded as one of Lionel Hampton's signature recordings ⓘ |
| Apple Macintosh launch campaign | widespread critical acclaim ⓘ |
|
Robert Schumann: Kreisleriana, Op. 16
surface form:
Kreisleriana, Op. 16
|
considered one of Schumann’s greatest piano works ⓘ |
| Immanuel Velikovsky | widely rejected by mainstream scientists ⓘ |
| Bottle Rack | controversial at time of introduction ⓘ |
| Bottle Rack | highly influential in contemporary art theory ⓘ |
| Corinna | highly esteemed in Boeotia in antiquity ⓘ |
| Corinna | less prominent in later canonical lyric tradition ⓘ |
|
“Unspoiled Monsters” (chapter)
surface form:
Unspoiled Monsters
|
considered damaging to Capote’s relationships with high-society friends ⓘ |
|
Robert Schumann: Humoreske in B-flat major, Op. 20
surface form:
Humoreske in B-flat major, Op. 20
|
regarded as one of Schumann’s most introspective piano works ⓘ |
| The Rite of Spring | initially controversial ⓘ |
| The Rite of Spring | later highly influential ⓘ |
| Lessons for Children | widely read in late 18th century ⓘ |
| Lessons for Children | considered innovative for its time ⓘ |
| Eighteen Hundred and Eleven | controversial at time of publication ⓘ |
| Eighteen Hundred and Eleven | provoked hostile reviews ⓘ |
| Eighteen Hundred and Eleven | damaged Anna Laetitia Barbauld's contemporary reputation ⓘ |
| The Lark Ascending | widely regarded as one of Vaughan Williams's most popular works ⓘ |
| The Lark Ascending | frequently voted among Britain’s favourite classical pieces ⓘ |
| Belshazzar’s Feast | critically acclaimed ⓘ |
| Belshazzar’s Feast | established Walton’s reputation as major British composer ⓘ |
| Handel’s coronation anthems | highly acclaimed since first performance ⓘ |
| Violin Concerto | highly regarded in violin repertoire ⓘ |
|
“Coffee Time” sequence
surface form:
"Coffee Time" sequence
|
later critical acclaim for visual experimentation ⓘ |
| Candle paintings | critically acclaimed ⓘ |
| Candle paintings | widely exhibited ⓘ |
| String Octet in E-flat major, Op. 20 | widely regarded as an early masterpiece ⓘ |
| Piano Trio No. 1 in D minor, Op. 49 | immediately acclaimed ⓘ |
| Piano Trio No. 1 in D minor, Op. 49 | considered one of Mendelssohn's finest chamber works ⓘ |
| Armide | highly regarded for dramatic coherence ⓘ |
| Armide | considered a key work of Gluck’s reform operas ⓘ |
| Dictionnaire historique et critique | controversial among religious authorities ⓘ |
| Dictionnaire historique et critique | highly influential among Enlightenment thinkers ⓘ |
| Symphony No. 5 in E minor, Op. 64 | now one of Tchaikovsky’s most frequently performed symphonies ⓘ |
| Margaret Whiting and Johnny Mercer version | considered a classic rendition of "Baby, It’s Cold Outside" ⓘ |
| Padavali (Maithili love and devotional songs) | highly revered in Maithili literary culture ⓘ |
|
The Rise and Fall of Little Voice (stage)
surface form:
The Rise and Fall of Little Voice
|
critically acclaimed ⓘ |
|
Polydore Vergil’s "Anglica Historia"
surface form:
Anglica Historia
|
criticized by some English contemporaries ⓘ |
| Onesiphorus | 2 Timothy 4:19 via predicate surface "greetedIn" ⓘ |
| String Sextet No. 1 in B-flat major, Op. 18 | highly regarded in the chamber music repertoire ⓘ |
|
poem "Babi Yar" by Yevgeny Yevtushenko
surface form:
Babi Yar (poem)
|
widely acclaimed internationally ⓘ |
| Cavatina | renowned for emotional depth ⓘ |
| Cavatina | highly regarded by performers and listeners ⓘ |
| III. Allegro ma non troppo – Presto | regarded as one of Beethoven’s most dramatic piano sonata finales ⓘ |
| String Quartets, Op. 76 | highly regarded by performers and scholars ⓘ |
| Bazaar of Heracleides | valued in the Church of the East ⓘ |
| Bazaar of Heracleides | viewed with suspicion or rejection in Chalcedonian churches ⓘ |
| Cornerstone Speech | infamous for explicit defense of slavery and white supremacy ⓘ |
| Harry Potter audiobook narration (UK) | widely praised ⓘ |