readerReception
P95128
predicate
Indicates how readers interpret, respond to, or are affected by a particular text or work.
Observed surface forms (10)
- readerEffect ×17
- readerPerception ×9
- intendedEffectOnReader ×6
- readerImpact ×3
- readerReceptionTypical ×2
- impactOnReaders ×1
- perceptionByReaders ×1
- readerReceptionRole ×1
- readerResponse ×1
- readingAudiencePerception ×1
Sample triples (47)
| Subject | Object |
|---|---|
| Amber’s interludes | defamiliarization via predicate surface "readerEffect" ⓘ |
| Amber’s interludes | heightened ambiguity via predicate surface "readerEffect" ⓘ |
| Amber’s interludes | intimacy with Amber’s consciousness via predicate surface "readerEffect" ⓘ |
| Anne Shirley has a rivalry and later friendship with Gilbert Blythe | iconicLiteraryRomance via predicate surface "readerPerception" ⓘ |
| Baron de Wolmar | interpreted as Rousseau’s critique of pure rationalism ⓘ |
| Baron de Wolmar | often criticized as cold and inhuman ⓘ |
| Enivrez-vous | encouragement to transcend everyday burdens via predicate surface "intendedEffectOnReader" ⓘ |
| Hapworth 16, 1924 | polarizing ⓘ |
| Henry Crawford | often seen as attractive but unreliable via predicate surface "readingAudiencePerception" ⓘ |
| Jete pari kintu keno jabo | often interpreted as expressing generational disillusionment via predicate surface "readerResponse" ⓘ |
| Julie d’Étanges | model of sensibility for 18th-century readers via predicate surface "readerReceptionRole" ⓘ |
| Maggie Tulliver has a close relationship with Philip Wakem | elicitsSympathyForBothCharacters via predicate surface "readerImpact" ⓘ |
| Mr. Curry | humorous character via predicate surface "perceptionByReaders" ⓘ |
| Rachel Ashley | guilt never conclusively proven via predicate surface "readerPerception" ⓘ |
| Rachel Ashley | innocence never conclusively proven via predicate surface "readerPerception" ⓘ |
| Rachel Ashley | motives remain uncertain via predicate surface "readerPerception" ⓘ |
| Radley house | often remembered as a haunted house figure via predicate surface "readerPerception" ⓘ |
| River Piedra | place of quiet reflection via predicate surface "readerPerception" ⓘ |
| River Piedra | site of miracles and grace via predicate surface "readerPerception" ⓘ |
| Stephen Guest | viewed as romantically appealing but unreliable via predicate surface "readerReceptionTypical" ⓘ |
| Stephen Guest | viewed as selfish via predicate surface "readerReceptionTypical" ⓘ |
| Tehlikeli Oyunlar | gained strong following among young intellectuals in Turkey ⓘ |
| The Courier’s Tragedy | heightens sense of paranoia in the novel via predicate surface "readerEffect" ⓘ |
| The Courier’s Tragedy | invites interpretation of clues about Tristero via predicate surface "readerEffect" ⓘ |
|
"The Devil’s Financial Dictionary"
surface form:
The Devil’s Financial Dictionary
|
encourage critical thinking about financial advice via predicate surface "intendedEffectOnReader" ⓘ |
|
"The Devil’s Financial Dictionary"
surface form:
The Devil’s Financial Dictionary
|
make finance more accessible through humor via predicate surface "intendedEffectOnReader" ⓘ |
|
The End of the Whole Mess (short story)
surface form:
The End of the Whole Mess
|
warning about hubris in science via predicate surface "intendedEffectOnReader" ⓘ |
| The Prologue | prepares audience expectations for The Seven Stages via predicate surface "readerEffect" ⓘ |
| The Rise of the Colored Empires | highlights the ugliness of Tom Buchanan’s worldview via predicate surface "readerEffect" ⓘ |
| The Rise of the Colored Empires | invites critical distance from racist arguments via predicate surface "readerEffect" ⓘ |
|
includes flashback sections called "The Time Machine"
surface form:
The Time Machine (narrative device in The Naked and the Dead)
|
creates contrast between civilian past and wartime present via predicate surface "readerEffect" ⓘ |
|
includes flashback sections called "The Time Machine"
surface form:
The Time Machine (narrative device in The Naked and the Dead)
|
deepens understanding of characters’ motivations via predicate surface "readerEffect" ⓘ |
| The Way of Holiness | encouraged pursuit of entire sanctification via predicate surface "impactOnReaders" ⓘ |
| Thurn und Taxis | induces interpretive uncertainty via predicate surface "readerEffect" ⓘ |
| Tristero | encourages conspiratorial reading of everyday signs via predicate surface "readerEffect" ⓘ |
| Tristero | invites interpretive uncertainty via predicate surface "readerEffect" ⓘ |
| Virgília | often regarded as one of Machado de Assis’s most memorable female characters via predicate surface "readerPerception" ⓘ |
| W.A.S.T.E. | ambiguously real or imaginary within the novel via predicate surface "readerPerception" ⓘ |
| Waiting for Death | evoke reflection on life and death via predicate surface "intendedEffectOnReader" ⓘ |
| Waiting for Death | provoke existential questioning via predicate surface "intendedEffectOnReader" ⓘ |
| Where the Crawdads Sing | high popularity with general audiences ⓘ |
| Why, Honey? | creates uncertainty about the son’s true nature via predicate surface "readerEffect" ⓘ |
| Why, Honey? | invites doubt about the mother’s judgment via predicate surface "readerEffect" ⓘ |
| bombing of Himmel Street | catharsis via predicate surface "readerImpact" ⓘ |
| bombing of Himmel Street | heightened awareness of civilian suffering in war via predicate surface "readerImpact" ⓘ |
| roque mallet (novel) | emotional tension via predicate surface "readerEffect" ⓘ |
| roque mallet (novel) | heightened fear via predicate surface "readerEffect" ⓘ |