narrativeStyle
P5869
predicate
Indicates how a narrative is told, such as the point of view, tone, and structural approach used to present a story or account.
All labels observed (25)
| Label | Occurrences |
|---|---|
| narrativeStyle canonical | 2,430 |
| narrativeMode | 521 |
| communicationStyle | 335 |
| hasNarrativeStyle | 321 |
| dialogueStyle | 220 |
| speechStyle | 120 |
| narrativePace | 42 |
| storyTone | 17 |
| hasNarrationStyle | 13 |
| toneOfStoryline | 10 |
| featuresNarrationStyle | 6 |
| storyStyle | 6 |
| hasStorytellingStyle | 5 |
| narrativeToneContext | 5 |
| narrativeTechniqueAssociatedWith | 3 |
| narrativeToneSupported | 3 |
| storytellingApproach | 3 |
| chronicleStyle | 2 |
| toneInNarrative | 2 |
| typicalStoryTone | 2 |
| featuresNarrativeVoice | 1 |
| hasExperimentalNarrativeStyle | 1 |
| inNarrativeTone | 1 |
| narrativeStyleOfWork | 1 |
| storyToldInStyle | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: narrativeStyle
Generated description
Indicates how a narrative is told, such as the point of view, tone, and structural approach used to present a story or account.
Sample triples (4,071)
| Subject | Object |
|---|---|
| Beautiful Losers | stream of consciousness ⓘ |
| Into the Great Wide Open | storytelling-driven songs ⓘ |
| Simple Twist of Fate | third-person storytelling ⓘ |
| Simple Twist of Fate | reflective ⓘ |
| Lily, Rosemary and the Jack of Hearts | third-person storytelling ⓘ |
| On the Fates of Famous Men | third-person prose via predicate surface "narrativeMode" ⓘ |
| Il Filocolo | third-person narrative via predicate surface "narrativeMode" ⓘ |
| A Game of Chess | shifting perspectives via predicate surface "narrativeMode" ⓘ |
| The Death of the Hired Man | dialogue-driven narrative via predicate surface "narrativeMode" ⓘ |
| Ninfale fiesolano | verse narrative via predicate surface "narrativeMode" ⓘ |
| Doce cuentos peregrinos | blend of realism and the fantastic ⓘ |
| Valerie | multiple-perspective narrative ⓘ |
| Ehoiai | catalogue via predicate surface "narrativeMode" ⓘ |
| Crakers | simple literal language via predicate surface "communicationStyle" ⓘ |
| The Argonauts | first-person ⓘ |
| Something Bright, Then Holes | first-person via predicate surface "narrativeMode" ⓘ |
| The Latest Winter | first-person via predicate surface "narrativeMode" ⓘ |
| Dementor | non-verbal via predicate surface "communicationStyle" ⓘ |
| The Demands of the Egg | voice-over narration via predicate surface "hasNarrationStyle" ⓘ |
| Life Story | third-person natural history commentary via predicate surface "hasNarrationStyle" ⓘ |
|
The Natural World (BBC series)
surface form:
The Natural World
|
in-depth via predicate surface "storytellingApproach" ⓘ |
|
The Natural World (BBC series)
surface form:
The Natural World
|
visually rich via predicate surface "storytellingApproach" ⓘ |
| Walking with Monsters | dramatized reconstructions ⓘ |
| J. Alfred Prufrock | first-person narration via predicate surface "narrativeMode" ⓘ |
| Endgame | sparse via predicate surface "dialogueStyle" ⓘ |
| Endgame | repetitive via predicate surface "dialogueStyle" ⓘ |
| Endgame | absurdist via predicate surface "dialogueStyle" ⓘ |
| Malone Dies | stream of consciousness via predicate surface "narrativeMode" ⓘ |
| The Unnamable | first-person narration via predicate surface "narrativeMode" ⓘ |
| Watt | experimental prose ⓘ |
| Watt | logical distortion ⓘ |
| How It Is | fragmented prose ⓘ |
| How It Is | minimalist prose ⓘ |
| How It Is | stream of consciousness ⓘ |
| Insect Hunters | voice-over narration via predicate surface "hasNarrationStyle" ⓘ |
| Plant Predators | explanatory commentary with on-location presentation ⓘ |
| the Dreamer | first-person narrator via predicate surface "narrativeMode" ⓘ |
| The Fates of the Apostles | brief accounts via predicate surface "narrativeMode" ⓘ |
| Jammu and Kashmir Peoples Democratic Party | emphasis on dialogue and reconciliation via predicate surface "communicationStyle" ⓘ |
| The Man Who Wasn't There | voice-over narration ⓘ |
| Wheelie | Rhyming via predicate surface "speechStyle" ⓘ |
| Crow | third-person via predicate surface "narrativeMode" ⓘ |
| Nell Kellty | limited contact with outsiders via predicate surface "communicationStyle" ⓘ |
| A Long Petal of the Sea | third-person omniscient ⓘ |
| Gimme the Loot | first-person storytelling ⓘ |
| Gimme the Loot | dialogue between two characters ⓘ |
| Me & My Bitch | first-person storytelling ⓘ |
| Niggas Bleed | first-person narrative ⓘ |
|
The Art of War
surface form:
The Art of War (Machiavelli)
|
dialogue between characters via predicate surface "narrativeMode" ⓘ |
| Hugh Selwyn Mauberley | lyric via predicate surface "narrativeMode" ⓘ |