originalInstrumentation
P29323
predicate
Indicates the relationship between a musical work and the specific instruments or ensemble for which it was initially scored or conceived.
All labels observed (7)
| Label | Occurrences |
|---|---|
| originalInstrumentation canonical | 140 |
| originalInstrument | 13 |
| intendedInstrumentation | 12 |
| originalInstrumentationDetail | 4 |
| workInstrumentation | 4 |
| basedOnInstrumentation | 3 |
| originalVersionInstrumentation | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: originalInstrumentation
Generated description
Indicates the relationship between a musical work and the specific instruments or ensemble for which it was initially scored or conceived.
Sample triples (177)
| Subject | Object |
|---|---|
| Prelude in E-flat major, BWV 852 | clavichord ⓘ |
| Fugue in G minor, BWV 861 | harpsichord via predicate surface "originalInstrument" ⓘ |
| Fugue in E minor, BWV 855 | keyboard ⓘ |
| Fugue in E minor, BWV 855 | harpsichord ⓘ |
| Prelude in F major, BWV 856 | keyboard ⓘ |
| Prelude in F major, BWV 856 | harpsichord ⓘ |
| Prelude in F minor, BWV 857 | keyboard ⓘ |
| Prelude in F minor, BWV 857 | harpsichord ⓘ |
| Fugue in F minor, BWV 857 | harpsichord ⓘ |
| Adagio for Strings | string orchestra ⓘ |
| Prelude in A minor, BWV 865 | harpsichord via predicate surface "originalInstrument" ⓘ |
| Asturias (Leyenda) | solo piano ⓘ |
| Capriccio Espagnol | symphony orchestra ⓘ |
|
The Fantasticks (Off-Broadway musical)
surface form:
The Fantasticks
|
piano via predicate surface "originalInstrument" ⓘ |
|
The Fantasticks (Off-Broadway musical)
surface form:
The Fantasticks
|
harp via predicate surface "originalInstrument" ⓘ |
| 4′33″ | any instrument or combination of instruments ⓘ |
| No Escape | orchestra via predicate surface "basedOnInstrumentation" ⓘ |
| No Escape | percussion-focused textures via predicate surface "basedOnInstrumentation" ⓘ |
| Slavonic Dances, Op. 46 | piano four hands ⓘ |
| Come Sunday | orchestra ⓘ |
| Come Sunday | voice ⓘ |
| Slavonic Dances, Op. 72 | piano four hands ⓘ |
| FWV 48 | orchestra via predicate surface "workInstrumentation" ⓘ |
| Concerto in G major, RV 310 | violin and strings ⓘ |
| La Paix | wind instruments and percussion ⓘ |
| La Réjouissance | wind instruments and percussion ⓘ |
| Menuet I | wind band ⓘ |
| Menuet I | percussion ⓘ |
| Menuet II | wind band ⓘ |
| Ombra mai fu | voice and orchestra ⓘ |
| Sonata X in E major | two violins and basso continuo ⓘ |
| Dolly Suite, Op. 56 | piano duet ⓘ |
| Pavane in F-sharp minor, Op. 50 | orchestra ⓘ |
| Pavane in F-sharp minor, Op. 50 | flute ⓘ |
| Pavane in F-sharp minor, Op. 50 | oboe ⓘ |
| Pavane in F-sharp minor, Op. 50 | clarinet ⓘ |
| Pavane in F-sharp minor, Op. 50 | bassoon ⓘ |
| Pavane in F-sharp minor, Op. 50 | horn ⓘ |
| Pavane in F-sharp minor, Op. 50 | string orchestra ⓘ |
| Pavane in F-sharp minor, Op. 50 | optional chorus ⓘ |
| Élégie in C minor, Op. 24 | cello and piano ⓘ |
| La bonne chanson, Op. 61 | voice and piano ⓘ |
| HWV 40 | voices and orchestra ⓘ |
| Sonata No. 12 in G major, Op. 2 | chamber ensemble ⓘ |
| La chanson d’Ève, Op. 95 | high voice and piano ⓘ |
| Bach Partitas | harpsichord via predicate surface "originalInstrument" ⓘ |
| St Paul’s Suite | string orchestra with optional wind parts ⓘ |
| Pictures at an Exhibition | solo piano ⓘ |
| Songs and Dances of Death | voice and piano ⓘ |
|
Sunless (song cycle)
surface form:
Sunless
|
voice and piano ⓘ |