Fugue in E minor, BWV 855
E312548
Fugue in E minor, BWV 855 is a keyboard fugue by Johann Sebastian Bach, notable for its expressive counterpoint and inclusion in the first book of The Well-Tempered Clavier.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Fugue in E minor, BWV 855 canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T2797692 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Fugue in E minor, BWV 855 Context triple: [The Well-Tempered Clavier, contains, Fugue in E minor, BWV 855]
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A.
Fugue in D minor, BWV 851
Fugue in D minor, BWV 851 is a contrapuntal keyboard piece by Johann Sebastian Bach, part of the first book of his collection The Well-Tempered Clavier.
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B.
Fugue in E-flat major, BWV 852
Fugue in E-flat major, BWV 852 is a contrapuntal keyboard work by Johann Sebastian Bach, notable as one of the fugues in the first book of The Well-Tempered Clavier.
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C.
Fugue in D major, BWV 850
Fugue in D major, BWV 850 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate voice leading and inclusion in the first book of The Well-Tempered Clavier.
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D.
Fugue in C minor, BWV 847
Fugue in C minor, BWV 847 is a highly recognizable keyboard fugue by Johann Sebastian Bach, noted for its driving rhythmic intensity and intricate contrapuntal writing.
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E.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Fugue in E minor, BWV 855 Target entity description: Fugue in E minor, BWV 855 is a keyboard fugue by Johann Sebastian Bach, notable for its expressive counterpoint and inclusion in the first book of The Well-Tempered Clavier.
-
A.
Fugue in D minor, BWV 851
Fugue in D minor, BWV 851 is a contrapuntal keyboard piece by Johann Sebastian Bach, part of the first book of his collection The Well-Tempered Clavier.
-
B.
Fugue in E-flat major, BWV 852
Fugue in E-flat major, BWV 852 is a contrapuntal keyboard work by Johann Sebastian Bach, notable as one of the fugues in the first book of The Well-Tempered Clavier.
-
C.
Fugue in D major, BWV 850
Fugue in D major, BWV 850 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate voice leading and inclusion in the first book of The Well-Tempered Clavier.
-
D.
Fugue in C minor, BWV 847
Fugue in C minor, BWV 847 is a highly recognizable keyboard fugue by Johann Sebastian Bach, noted for its driving rhythmic intensity and intricate contrapuntal writing.
-
E.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque composition
ⓘ
fugue ⓘ keyboard composition ⓘ |
| associatedWith |
The Well-Tempered Clavier
ⓘ
surface form:
The Well-Tempered Clavier, BWV 846–869
|
| bookNumber | I ⓘ |
| catalogNumber | BWV 855 ⓘ |
| collection | The Well-Tempered Clavier ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| countryOfOrigin | Electorate of Saxony ⓘ |
| feature |
episodes
ⓘ
expressive counterpoint ⓘ imitative counterpoint ⓘ stretto passages ⓘ subject-answer structure ⓘ |
| genre | fugue ⓘ |
| hasBWVNumber | 855 ⓘ |
| hasComposerRole | Johann Sebastian Bach ⓘ |
| hasCounterSubject | contrasting countersubject in E minor ⓘ |
| hasForm | three-voice fugue ⓘ |
| hasKeySignature | one sharp ⓘ |
| hasMode | E minor ⓘ |
| hasPairingScheme | prelude and fugue in each of the 24 keys ⓘ |
| hasPrelude | Prelude in E minor, BWV 855 ⓘ |
| hasSubject | E minor fugue subject ⓘ |
| hasWorkNumberWithinWTCBookI | 10 ⓘ |
| isPartOfStandardRepertoireFor |
harpsichordists
ⓘ
pianists ⓘ |
| isStudiedIn |
counterpoint courses
ⓘ
keyboard literature ⓘ |
| key | E minor ⓘ |
| language | instrumental ⓘ |
| movementType | fugue ⓘ |
| notableFor |
expressive counterpoint
ⓘ
inclusion in the first book of The Well-Tempered Clavier ⓘ |
| originalInstrumentation |
harpsichord
ⓘ
keyboard ⓘ |
| pairedWith | Prelude in E minor, BWV 855 ⓘ |
| partOf |
The Well-Tempered Clavier
ⓘ
surface form:
The Well-Tempered Clavier, Book I
|
| performanceMedium | solo keyboard ⓘ |
| performancePracticePeriod | 18th century ⓘ |
| period | Baroque ⓘ |
| placeInCatalogue |
BWV (Bach-Werke-Verzeichnis)
ⓘ
surface form:
Bach-Werke-Verzeichnis
|
| style |
Baroque keyboard style
ⓘ
contrapuntal ⓘ |
| texture | polyphonic ⓘ |
| tonality | minor ⓘ |
| usesTuningConcept | well-tempered tuning ⓘ |
| WTCNumbering |
Prelude in E minor, BWV 855
ⓘ
surface form:
Prelude and Fugue No. 10 in E minor, BWV 855
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Fugue in E minor, BWV 855 Description of subject: Fugue in E minor, BWV 855 is a keyboard fugue by Johann Sebastian Bach, notable for its expressive counterpoint and inclusion in the first book of The Well-Tempered Clavier.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.