dramaticFunction
P20800
predicate
Indicates the role or purpose that something serves within the structure or progression of a dramatic work or narrative.
All labels observed (15)
| Label | Occurrences |
|---|---|
| dramaticFunction canonical | 1,476 |
| hasDramaticFunction | 45 |
| dramaticPurpose | 38 |
| dramaticType | 33 |
| diegeticFunction | 18 |
| functionInDrama | 10 |
| dramaturgicalFocus | 6 |
| functionInGreekTragedy | 6 |
| dramaticSignificance | 4 |
| tragicElement | 4 |
| dramaturgicalGoal | 2 |
| functionInEpicPoetry | 2 |
| dramaticFunctionOfLaudisi | 1 |
| dramaturgicalAim | 1 |
| functionInOresteia | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: dramaticFunction
Generated description
Indicates the role or purpose that something serves within the structure or progression of a dramatic work or narrative.
Sample triples (1,647)
| Subject | Object |
|---|---|
| Flower Song (La fleur que tu m’avais jetée) |
Don José
ⓘ
surface form:
reveals Don José’s emotional vulnerability
|
| Flower Song (La fleur que tu m’avais jetée) | intensifies the love conflict between Don José and Carmen ⓘ |
| Polonius | comic relief ⓘ |
| Polonius | catalyst for Hamlet’s conflict with Claudius ⓘ |
| The Ghost | initiates Hamlet’s internal conflict ⓘ |
| The Ghost | provides exposition about the king’s death ⓘ |
| The Ghost | raises questions about truth and reliability ⓘ |
| The Masque | contrasts with more introspective movements via predicate surface "hasDramaticFunction" ⓘ |
| The Masque | expresses nervous energy of postwar era via predicate surface "hasDramaticFunction" ⓘ |
| Vice Principal Douglas Panch | contrasts with children’s earnestness ⓘ |
| Vice Principal Douglas Panch | adds adult perspective to competition ⓘ |
| William Barfée | comic relief with emotional depth ⓘ |
| Logainne Schwartzandgrubenierre | comic relief ⓘ |
| Logainne Schwartzandgrubenierre | social commentary on parental pressure ⓘ |
| The I Love You Song | character development for Olive Ostrovsky ⓘ |
| The I Love You Song | emotional climax of the show ⓘ |
|
Otello in Verdi's "Otello"
surface form:
Otello (character)
|
protagonist of Otello (opera) ⓘ |
|
Cavaradossi in Puccini's "Tosca"
surface form:
Cavaradossi
|
romantic hero ⓘ |
|
Cavaradossi in Puccini's "Tosca"
surface form:
Cavaradossi
|
political martyr ⓘ |
|
Cavaradossi in Puccini's "Tosca"
surface form:
Cavaradossi
|
central male protagonist in "Tosca" ⓘ |
|
Radamès in Verdi's "Aida"
surface form:
Radamès
|
tragic hero ⓘ |
|
Radamès in Verdi's "Aida"
surface form:
Radamès
|
central lover ⓘ |
| Chip Tolentino | comic relief ⓘ |
| Chip Tolentino | exploration of adolescent sexuality ⓘ |
| Levee Green | embodies the impact of racism on Black male ambition ⓘ |
| Frank Lubey | contrasts with Keller family’s buried guilt ⓘ |
| Frank Lubey | reinforces community complicity in Joe Keller’s crime ⓘ |
| Audition (The Fools Who Dream) | climactic moment ⓘ |
| Audition (The Fools Who Dream) | character revelation ⓘ |
| Audition (The Fools Who Dream) | emotional climax ⓘ |
| Sister Aloysius Beauvier | drives the central conflict of Doubt ⓘ |
| Varlaam | contrasts with tragic elements of the opera ⓘ |
| Varlaam | comments on historical and political events through song ⓘ |
| Clock Scene | depicts Boris haunted by guilt over the murder of the Tsarevich Dmitry ⓘ |
| Coronation Scene | climactic tableau of Boris’s accession ⓘ |
| Coronation Scene | public acclamation of Boris as tsar ⓘ |
| Death of Boris | climax via predicate surface "hasDramaticFunction" ⓘ |
| Death of Boris | denouement via predicate surface "hasDramaticFunction" ⓘ |
| The Queen of Shemakha | to tempt and destabilize Tsar Dodon’s rule ⓘ |
| Rose Adagio | introduces Aurora to her suitors ⓘ |
| Rose Adagio | demonstrates Aurora’s maturity and poise ⓘ |
| Grand pas de deux (Aurora and Désiré) | climactic duet ⓘ |
| For Forever | to solidify the lie about Evan and Connor's friendship ⓘ |
|
Requiem
surface form:
Requiem (Dear Evan Hansen song)
|
character development for the Murphy family ⓘ |
|
Requiem
surface form:
Requiem (Dear Evan Hansen song)
|
exploration of conflicting memories of Connor Murphy ⓘ |
| Superboy and the Invisible Girl | character development song ⓘ |
| Superboy and the Invisible Girl | exploration of family dynamics ⓘ |
|
Light
surface form:
Light (Next to Normal)
|
finale ⓘ |
|
Light
surface form:
Light (Next to Normal)
|
emotional resolution ⓘ |
| Sister James | foil to Sister Aloysius Beauvier ⓘ |