The Guilty Mother

E927527

The Guilty Mother is the final play in Pierre Beaumarchais’s Figaro trilogy, a French drama that continues the story of Figaro and the Almaviva household with darker, more serious themes.

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Statements (45)

Predicate Object
instanceOf French play
drama
play
stage work
alsoKnownAs The Guilty Mother, or The Other Tartuffe NERFINISHED
author Pierre Beaumarchais NERFINISHED
chronologicalPositionInSeries third play in the Figaro trilogy
countryOfOrigin France
featuresCharacter Bégearss NERFINISHED
Count Almaviva NERFINISHED
Countess Almaviva NERFINISHED
Figaro NERFINISHED
Suzanne NERFINISHED
firstPerformanceDate 1792
firstPerformancePlace Paris NERFINISHED
follows The Barber of Seville NERFINISHED
The Marriage of Figaro NERFINISHED
genre comedy-drama
drama
hasAdaptation film and television adaptations
opera adaptations
hasPageIn French theatre history
languageOfWork French
literaryMovement French Enlightenment-to-Revolutionary era theatre
mainCharacter Bégearss NERFINISHED
Count Almaviva NERFINISHED
Countess Almaviva NERFINISHED
Figaro NERFINISHED
Florestine NERFINISHED
Léon NERFINISHED
Suzanne NERFINISHED
originalTitle La Mère coupable NERFINISHED
partOfSeries Figaro trilogy NERFINISHED
prequel The Barber of Seville NERFINISHED
The Marriage of Figaro NERFINISHED
settingLocation household of the Count Almaviva
subjectOf literary criticism on the Figaro trilogy
theme family conflict
forgiveness
guilt
illegitimacy
political intrigue
timePeriodOfSetting late 18th century
tone darker than earlier Figaro plays
workChronology last of Beaumarchais’s Figaro plays

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

The Marriage of Figaro precedes The Guilty Mother