La Coquille et le Clergyman (Germaine Dulac film he supported)
E918233
La Coquille et le Clergyman is a 1928 avant-garde surrealist film directed by Germaine Dulac, often cited as a precursor to Buñuel and Dalí’s Un Chien Andalou.
All labels observed (1)
| Label | Occurrences |
|---|---|
| La Coquille et le Clergyman (Germaine Dulac film he supported) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11333760 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: La Coquille et le Clergyman (Germaine Dulac film he supported) Context triple: [Charles de Noailles, notableWork, La Coquille et le Clergyman (Germaine Dulac film he supported)]
-
A.
Portraits of Jean Cocteau
Portraits of Jean Cocteau is a series of avant-garde photographic portraits of the French writer and artist Jean Cocteau created by the influential surrealist photographer Man Ray.
-
B.
Jean Cocteau’s film Orphée
Jean Cocteau’s film *Orphée* is a 1950 French cinematic reinterpretation of the Orpheus myth that blends surrealist imagery, poetic dialogue, and modern settings to explore themes of death, art, and the subconscious.
-
C.
The Renoir cinema
The Renoir cinema is an art-house movie theater in London known for showcasing independent, foreign, and classic films.
-
D.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
E.
Leos Carax filmography
Leos Carax filmography is the body of work directed by the French filmmaker Leos Carax, known for his visually inventive, emotionally intense, and often surreal films.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: La Coquille et le Clergyman (Germaine Dulac film he supported) Target entity description: La Coquille et le Clergyman is a 1928 avant-garde surrealist film directed by Germaine Dulac, often cited as a precursor to Buñuel and Dalí’s Un Chien Andalou.
-
A.
Portraits of Jean Cocteau
Portraits of Jean Cocteau is a series of avant-garde photographic portraits of the French writer and artist Jean Cocteau created by the influential surrealist photographer Man Ray.
-
B.
Jean Cocteau’s film Orphée
Jean Cocteau’s film *Orphée* is a 1950 French cinematic reinterpretation of the Orpheus myth that blends surrealist imagery, poetic dialogue, and modern settings to explore themes of death, art, and the subconscious.
-
C.
The Renoir cinema
The Renoir cinema is an art-house movie theater in London known for showcasing independent, foreign, and classic films.
-
D.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
E.
Leos Carax filmography
Leos Carax filmography is the body of work directed by the French filmmaker Leos Carax, known for his visually inventive, emotionally intense, and often surreal films.
- F. None of above. chosen
Statements (39)
| Predicate | Object |
|---|---|
| instanceOf |
avant-garde film
ⓘ
film ⓘ surrealist film ⓘ |
| basedOn | scenario by Antonin Artaud ⓘ |
| cinematicTechnique |
montage
ⓘ
superimposition ⓘ symbolic imagery ⓘ |
| countryOfOrigin | France ⓘ |
| director | Germaine Dulac NERFINISHED ⓘ |
| era | silent film era ⓘ |
| genre |
avant-garde cinema
ⓘ
experimental film ⓘ surrealist cinema ⓘ |
| hasCultStatus | true ⓘ |
| hasDirectorGender | female ⓘ |
| hasTheme |
desire
ⓘ
hallucination ⓘ power ⓘ religion ⓘ |
| hasTitleInEnglish | The Seashell and the Clergyman NERFINISHED ⓘ |
| inception | 1928 ⓘ |
| influenced | Un Chien Andalou NERFINISHED ⓘ |
| isBlackAndWhite | true ⓘ |
| isConsidered | precursor to Un Chien Andalou ⓘ |
| isSilentFilm | true ⓘ |
| movement |
French avant-garde
ⓘ
surrealism ⓘ |
| narrativeStyle | nonlinear narrative ⓘ |
| notableAs | one of the first surrealist films ⓘ |
| notableFor |
early cinematic surrealism
ⓘ
use of dreamlike imagery ⓘ |
| originalLanguage | French ⓘ |
| productionType | independent film ⓘ |
| publicationDate | 1928 ⓘ |
| runtimeApprox | 40 minutes ⓘ |
| screenwriter | Antonin Artaud NERFINISHED ⓘ |
| setInPeriod | early 20th century ⓘ |
| studiedIn | film studies ⓘ |
| subjectOf | academic analysis of surrealist cinema ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: La Coquille et le Clergyman (Germaine Dulac film he supported) Description of subject: La Coquille et le Clergyman is a 1928 avant-garde surrealist film directed by Germaine Dulac, often cited as a precursor to Buñuel and Dalí’s Un Chien Andalou.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.