Piano Concerto No. 2
E885457
Piano Concerto No. 2 is a celebrated Romantic-era concerto by Camille Saint-Saëns, renowned for its virtuosic piano writing, dramatic contrasts, and lyrical beauty.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Piano Concerto No. 2 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10793905 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Piano Concerto No. 2 Context triple: [Camille Saint-Saëns, notableWork, Piano Concerto No. 2]
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A.
Piano Concerto No. 2
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
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B.
Piano Concerto No. 2
Piano Concerto No. 2 is a mid-20th-century concerto for piano and orchestra by American composer Ned Rorem, noted for its lyrical, neo-Romantic style and expressive orchestration.
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C.
Piano Concerto No. 2 in F minor
Piano Concerto No. 2 in F minor is a lyrical and virtuosic early Romantic concerto for piano and orchestra by Frédéric Chopin, celebrated for its expressive melodies and poetic slow movement.
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D.
Piano Concerto No. 2 in C minor, Op. 18
Piano Concerto No. 2 in C minor, Op. 18 is one of Sergei Rachmaninoff’s most celebrated Romantic piano concertos, renowned for its sweeping melodies, rich harmonies, and virtuosic piano writing.
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E.
Piano Concerto No. 2 in D minor, Op. 40
Piano Concerto No. 2 in D minor, Op. 40 is a Romantic-era concerto for piano and orchestra by Felix Mendelssohn, known for its virtuosic solo writing and lyrical, expressive character.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Piano Concerto No. 2 Target entity description: Piano Concerto No. 2 is a celebrated Romantic-era concerto by Camille Saint-Saëns, renowned for its virtuosic piano writing, dramatic contrasts, and lyrical beauty.
-
A.
Piano Concerto No. 2
Piano Concerto No. 2 is a lively and accessible concerto for piano and orchestra by Dmitri Shostakovich, celebrated for its lyrical slow movement and playful outer movements.
-
B.
Piano Concerto No. 2
Piano Concerto No. 2 is a mid-20th-century concerto for piano and orchestra by American composer Ned Rorem, noted for its lyrical, neo-Romantic style and expressive orchestration.
-
C.
Piano Concerto No. 2 in F minor
Piano Concerto No. 2 in F minor is a lyrical and virtuosic early Romantic concerto for piano and orchestra by Frédéric Chopin, celebrated for its expressive melodies and poetic slow movement.
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D.
Piano Concerto No. 2 in C minor, Op. 18
Piano Concerto No. 2 in C minor, Op. 18 is one of Sergei Rachmaninoff’s most celebrated Romantic piano concertos, renowned for its sweeping melodies, rich harmonies, and virtuosic piano writing.
-
E.
Piano Concerto No. 2 in D minor, Op. 40
Piano Concerto No. 2 in D minor, Op. 40 is a Romantic-era concerto for piano and orchestra by Felix Mendelssohn, known for its virtuosic solo writing and lyrical, expressive character.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Romantic-era composition
ⓘ
piano concerto ⓘ |
| approximateDuration | about 30 minutes ⓘ |
| associatedComposer | Camille Saint-Saëns NERFINISHED ⓘ |
| catalogNumber | Op. 22 ⓘ |
| closingCharacteristic | brilliant virtuosic finale ⓘ |
| composer | Camille Saint-Saëns NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| dateOfComposition | 1868 ⓘ |
| dedicatedTo | Anton Rubinstein NERFINISHED ⓘ |
| era | 19th century ⓘ |
| followedBy | Piano Concerto No. 3 NERFINISHED ⓘ |
| genre | concerto ⓘ |
| hasSection | cadenza-like passages for piano ⓘ |
| hasTonality | minor key ⓘ |
| instrumentation |
orchestra
ⓘ
solo piano ⓘ |
| isPopularInRepertoire | yes ⓘ |
| key | G minor ⓘ |
| languageOfWork | none (instrumental) ⓘ |
| movement |
I. Andante sostenuto
ⓘ
II. Allegro scherzando ⓘ III. Presto ⓘ |
| notableFeature |
dramatic contrasts
ⓘ
lyrical themes ⓘ virtuosic piano writing ⓘ |
| notableRecordingArtists |
Arthur Rubinstein
NERFINISHED
ⓘ
Stephen Hough NERFINISHED ⓘ Sviatoslav Richter NERFINISHED ⓘ |
| numberOfMovements | 3 ⓘ |
| openingCharacteristic | improvisatory piano solo ⓘ |
| orchestration |
brass
ⓘ
pairs of woodwinds ⓘ strings ⓘ timpani ⓘ |
| period | Romantic ⓘ |
| placeOfPremiere | Paris NERFINISHED ⓘ |
| positionInComposerOutput | second piano concerto by Saint-Saëns ⓘ |
| precededBy | Piano Concerto No. 1 NERFINISHED ⓘ |
| premiereConductor | Camille Saint-Saëns NERFINISHED ⓘ |
| premierePerformer | Camille Saint-Saëns NERFINISHED ⓘ |
| premiereVenue | Salle Pleyel NERFINISHED ⓘ |
| style | concertante ⓘ |
| title | Piano Concerto No. 2 in G minor NERFINISHED ⓘ |
| typicalPerformanceContext |
piano concerto competitions
ⓘ
symphony concerts ⓘ |
| workType | orchestral work ⓘ |
| yearOfPremiere | 1868 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Piano Concerto No. 2 Description of subject: Piano Concerto No. 2 is a celebrated Romantic-era concerto by Camille Saint-Saëns, renowned for its virtuosic piano writing, dramatic contrasts, and lyrical beauty.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.