L’arrivée à Saïs
E815634
L’arrivée à Saïs is a section of Hector Berlioz’s oratorio *L’Enfance du Christ*, depicting the Holy Family’s arrival in the Egyptian city of Sais during their flight into exile.
All labels observed (1)
| Label | Occurrences |
|---|---|
| L’arrivée à Saïs canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9689926 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: L’arrivée à Saïs Context triple: [L’Enfance du Christ, hasPart, L’arrivée à Saïs]
-
A.
Lady of Sais
Lady of Sais is an epithet of the ancient Egyptian goddess Neith, highlighting her role as the principal deity and protectress of the city of Sais in the Nile Delta.
-
B.
Bir el Gubi
Bir el Gubi was a strategically important desert battlefield in Libya during World War II, known for significant clashes between British Commonwealth and Italian-German forces.
-
C.
Field of Reeds
The Field of Reeds is the ancient Egyptian paradise, a blissful afterlife realm where righteous souls enjoyed an idealized version of life on earth.
-
D.
La Tebaida
La Tebaida is a municipality in Colombia’s coffee-growing region, known for its agricultural economy and proximity to major tourist attractions in the Quindío Department.
-
E.
Lord of Heliopolis
Lord of Heliopolis is an epithet of the ancient Egyptian creator god Atum, emphasizing his role as the chief deity and divine ruler of the city of Heliopolis.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: L’arrivée à Saïs Target entity description: L’arrivée à Saïs is a section of Hector Berlioz’s oratorio *L’Enfance du Christ*, depicting the Holy Family’s arrival in the Egyptian city of Sais during their flight into exile.
-
A.
Lady of Sais
Lady of Sais is an epithet of the ancient Egyptian goddess Neith, highlighting her role as the principal deity and protectress of the city of Sais in the Nile Delta.
-
B.
Bir el Gubi
Bir el Gubi was a strategically important desert battlefield in Libya during World War II, known for significant clashes between British Commonwealth and Italian-German forces.
-
C.
Field of Reeds
The Field of Reeds is the ancient Egyptian paradise, a blissful afterlife realm where righteous souls enjoyed an idealized version of life on earth.
-
D.
La Tebaida
La Tebaida is a municipality in Colombia’s coffee-growing region, known for its agricultural economy and proximity to major tourist attractions in the Quindío Department.
-
E.
Lord of Heliopolis
Lord of Heliopolis is an epithet of the ancient Egyptian creator god Atum, emphasizing his role as the chief deity and divine ruler of the city of Heliopolis.
- F. None of above. chosen
Statements (31)
| Predicate | Object |
|---|---|
| instanceOf |
choral piece
ⓘ
musical movement ⓘ |
| associatedWork |
Le repos de la sainte famille
NERFINISHED
ⓘ
L’Enfance du Christ, Op. 25 NERFINISHED ⓘ L’adieu des bergers NERFINISHED ⓘ |
| basedOn | New Testament narrative of the Flight into Egypt ⓘ |
| composer | Hector Berlioz NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| depicts |
Flight into Egypt
NERFINISHED
ⓘ
Holy Family’s arrival in Sais ⓘ |
| firstPerformanceWork | L’Enfance du Christ NERFINISHED ⓘ |
| genre | oratorio movement ⓘ |
| hasWorkTitle |
L’arrivée à Saïs
NERFINISHED
ⓘ
The Arrival at Sais NERFINISHED ⓘ |
| language | French ⓘ |
| narrativeRole | arrival of the Holy Family in Egypt ⓘ |
| orchestration |
chorus
ⓘ
orchestra ⓘ vocal soloists ⓘ |
| originalLanguageTitle | L’arrivée à Saïs NERFINISHED ⓘ |
| partOf |
L’Enfance du Christ
NERFINISHED
ⓘ
Part II of L’Enfance du Christ NERFINISHED ⓘ Triptyque sacré L’Enfance du Christ NERFINISHED ⓘ |
| period | Romantic era ⓘ |
| religiousContext | Christian sacred music ⓘ |
| religiousFigureDepicted |
Joseph
NERFINISHED
ⓘ
Mary, mother of Jesus NERFINISHED ⓘ infant Jesus NERFINISHED ⓘ |
| setting |
Egypt
NERFINISHED
ⓘ
Sais NERFINISHED ⓘ |
| textBy | Hector Berlioz NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: L’arrivée à Saïs Description of subject: L’arrivée à Saïs is a section of Hector Berlioz’s oratorio *L’Enfance du Christ*, depicting the Holy Family’s arrival in the Egyptian city of Sais during their flight into exile.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.