Adieu au langage
E747610
Adieu au langage is a 2014 experimental 3D film by Jean-Luc Godard that explores the breakdown of communication and language through fragmented narrative and radical visual techniques.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Adieu au langage canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8626272 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Adieu au langage Context triple: [Film Socialisme, followedBy, Adieu au langage]
-
A.
The Pleasure of the Text
The Pleasure of the Text is a seminal 1973 work of literary theory by Roland Barthes that explores the erotic, playful, and subjective dimensions of reading and textual enjoyment.
-
B.
La Disparition de la langue française
La Disparition de la langue française is a novel by Assia Djebar that explores identity, memory, and exile through the complex relationship between French and Arabic in postcolonial Algeria.
-
C.
Les Mots et les choses
Les Mots et les choses is a major 1966 philosophical work by Michel Foucault that analyzes the historical conditions shaping the human sciences and systems of knowledge.
-
D.
A Lover’s Discourse
A Lover’s Discourse is Roland Barthes’s influential 1977 work of literary theory that analyzes the language, emotions, and fragmented inner monologue of the lover in Western culture.
-
E.
Sens et non-sens
Sens et non-sens is a collection of philosophical essays by Maurice Merleau-Ponty that explores themes of perception, art, politics, and meaning within the framework of existential phenomenology.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Adieu au langage Target entity description: Adieu au langage is a 2014 experimental 3D film by Jean-Luc Godard that explores the breakdown of communication and language through fragmented narrative and radical visual techniques.
-
A.
The Pleasure of the Text
The Pleasure of the Text is a seminal 1973 work of literary theory by Roland Barthes that explores the erotic, playful, and subjective dimensions of reading and textual enjoyment.
-
B.
La Disparition de la langue française
La Disparition de la langue française is a novel by Assia Djebar that explores identity, memory, and exile through the complex relationship between French and Arabic in postcolonial Algeria.
-
C.
Les Mots et les choses
Les Mots et les choses is a major 1966 philosophical work by Michel Foucault that analyzes the historical conditions shaping the human sciences and systems of knowledge.
-
D.
A Lover’s Discourse
A Lover’s Discourse is Roland Barthes’s influential 1977 work of literary theory that analyzes the language, emotions, and fragmented inner monologue of the lover in Western culture.
-
E.
Sens et non-sens
Sens et non-sens is a collection of philosophical essays by Maurice Merleau-Ponty that explores themes of perception, art, politics, and meaning within the framework of existential phenomenology.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf | film ⓘ |
| alsoKnownAs | Goodbye to Language NERFINISHED ⓘ |
| awardReceived | Jury Prize at the 2014 Cannes Film Festival NERFINISHED ⓘ |
| cinematographicTechnique |
digital video
ⓘ
jump cuts ⓘ radical visual techniques ⓘ stereoscopic 3D ⓘ superimpositions ⓘ unconventional 3D depth effects ⓘ |
| countryOfOrigin | France ⓘ |
| director | Jean-Luc Godard NERFINISHED ⓘ |
| directorOfPhotography |
Fabrice Aragno
NERFINISHED
ⓘ
Jean-Luc Godard NERFINISHED ⓘ |
| distributor | Wild Bunch (France) NERFINISHED ⓘ |
| exploresConcept |
limits of cinematic language
ⓘ
politics of representation ⓘ relationship between image and word ⓘ |
| featuresCharacter | a dog named Roxy ⓘ |
| genre |
avant-garde film
ⓘ
drama film ⓘ experimental cinema ⓘ |
| hasColor | color film ⓘ |
| hasSetting |
contemporary Europe
ⓘ
domestic interiors ⓘ lakeside exteriors ⓘ |
| hasType | feature film ⓘ |
| mainTheme |
breakdown of communication
ⓘ
language ⓘ relationships ⓘ |
| musicBy | various classical music pieces ⓘ |
| narrativeStyle | fragmented narrative ⓘ |
| notableFor |
innovative use of 3D to disrupt spatial perception
ⓘ
radical experimentation with film form ⓘ |
| originalLanguage | French ⓘ |
| partOf | late period of Jean-Luc Godard’s filmography ⓘ |
| productionCompany | Wild Bunch NERFINISHED ⓘ |
| publicationDate | 2014 ⓘ |
| runtime | approximately 70 minutes ⓘ |
| screenedAt | Cannes Film Festival NERFINISHED ⓘ |
| section | Cannes Film Festival main competition NERFINISHED ⓘ |
| soundMix | stereo ⓘ |
| usesTechnique |
non-linear editing
ⓘ
on-screen text ⓘ voice-over narration ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Adieu au langage Description of subject: Adieu au langage is a 2014 experimental 3D film by Jean-Luc Godard that explores the breakdown of communication and language through fragmented narrative and radical visual techniques.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.