Neo-Impressionism
E7080
Neo-Impressionism is a late 19th-century art movement characterized by the use of small, distinct dots or strokes of color and scientific color theory to create luminous, optically mixed images.
All labels observed (16)
Statements (71)
| Predicate | Object |
|---|---|
| instanceOf |
art movement
ⓘ
painting style ⓘ post-Impressionist movement ⓘ |
| aimsFor |
optical mixture of colors in the viewer's eye
ⓘ
scientific approach to color and light ⓘ |
| associatedWithGroup |
Salon des Indépendants
ⓘ
surface form:
Société des Artistes Indépendants
|
| contrastsWith |
loose brushwork of Impressionism
ⓘ
spontaneity of Impressionism ⓘ |
| emergedAroundYear | 1884 ⓘ |
| emergedInCentury | 19th century ⓘ |
| emergedInPeriod | late 19th century ⓘ |
| emphasizes |
harmony of color and line
ⓘ
rational, theoretical approach to painting ⓘ scientific analysis of light ⓘ |
| firstExhibitedAt | Salon des Indépendants ⓘ |
| foundedBy | Georges Seurat ⓘ |
| geographicSpread |
Belgium
ⓘ
France ⓘ Italy ⓘ Switzerland ⓘ United Kingdom ⓘ |
| hasAlternativeName |
Neo-Impressionism
ⓘ
surface form:
Neo-Impressionist movement
Neo-Impressionist painting ⓘ Neo-Impressionism ⓘ
surface form:
Neoimpressionism
|
| hasCharacteristic |
carefully planned compositions
ⓘ
division of color into separate touches ⓘ emphasis on luminosity ⓘ emphasis on structure and order ⓘ interest in modern urban and leisure subjects ⓘ optical color mixing ⓘ systematic, methodical brushwork ⓘ use of broken color ⓘ use of complementary colors ⓘ use of small, distinct dots or strokes of color ⓘ |
| hasCriticalReception |
initially controversial
ⓘ
later influential in modern art history ⓘ |
| hasTechnique |
Neo-Impressionism
self-linksurface differs
ⓘ
surface form:
Divisionism
Neo-Impressionism self-linksurface differs ⓘ
surface form:
Pointillism
|
| influencedBy |
Charles Henry
ⓘ
Impressionism ⓘ Michel Eugène Chevreul ⓘ Ogden Rood ⓘ color perception research ⓘ optical science ⓘ scientific color theory ⓘ |
| influencedMovement |
Cubism
ⓘ
Fauvism ⓘ early modernism ⓘ |
| majorArtist |
Camille Pissarro
ⓘ
Georges Seurat ⓘ Henri-Edmond Cross ⓘ Maximilien Luce ⓘ Paul Signac ⓘ Théo van Rysselberghe ⓘ |
| majorWork |
A Sunday on La Grande Jatte — 1884
ⓘ
surface form:
A Sunday Afternoon on the Island of La Grande Jatte
|
| majorWorkCreator | Georges Seurat ⓘ |
| originatedInCity | Paris ⓘ |
| originatedInCountry | France ⓘ |
| pioneeredBy |
Georges Seurat
ⓘ
Paul Signac ⓘ |
| relatedMovement |
Impressionism
ⓘ
Post-Impressionism ⓘ |
| subjectMatter |
landscapes
ⓘ
seaside leisure ⓘ urban scenes ⓘ working-class life ⓘ |
| timeframePeak |
1880s
ⓘ
1890s ⓘ |
| timeframeStart | circa 1884 ⓘ |
| usesBrushworkType |
dots of pure color
ⓘ
small strokes of pure color ⓘ |
Referenced by (122)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Self-Portrait with a Straw Hat
this entity surface form:
Les Nabis
this entity surface form:
Neo‑Impressionism
this entity surface form:
Neoimpressionism
this entity surface form:
Neo-Impressionist movement
this entity surface form:
Pointillism
this entity surface form:
Divisionism
this entity surface form:
Divisionism
this entity surface form:
Pointillism
this entity surface form:
Divisionism
this entity surface form:
Pointillism
this entity surface form:
Divisionism
this entity surface form:
Pointillism
this entity surface form:
Divisionism
this entity surface form:
Pointillism
this entity surface form:
Divisionism
this entity surface form:
Pointillism
this entity surface form:
Neo-Impressionist circle in Paris
this entity surface form:
pointillism
this entity surface form:
Pointillism
this entity surface form:
Pointillism
this entity surface form:
Pointillism
this entity surface form:
Pointillism
this entity surface form:
Pointillism
this entity surface form:
Pointillism
this entity surface form:
Pointillism
this entity surface form:
pointillism
this entity surface form:
Divisionism