Disambiguation evidence for “Scotch Symphony” via surface form

"Scotch Symphony"


As subject (47)

Triples where this entity appears as subject under the label "Scotch Symphony".

Predicate Object
alsoKnownAs “Scotch Symphony”
surface form: Scottish Symphony (ballet)
balletCompany Balanchine Trust licensees
balletCompany New York City Ballet
basedOn “Scotch Symphony” self-linksurface differs
surface form: Symphony No. 3 in A minor, Op. 56 "Scottish"
choreographer George Balanchine
choreographicFocus classical ensemble patterns
choreographicFocus lyrical adagio
choreographicSchool Balanchine technique
composerOfMusic Felix Mendelssohn
costumeStyle Highland-inspired romantic tutus
countryOfOrigin United States of America
surface form: United States
createdFor New York City Ballet repertory
features corps de ballet
features demi-soloists
features principal ballerina
features principal male dancer
genre neoclassical ballet
inBalletRepertoryOf New York City Ballet
inBalletRepertoryOf San Francisco Ballet
inBalletRepertoryOf other major international ballet companies
inspiredBy Felix Mendelssohn's travels in Scotland as reflected in his Scottish Symphony
instanceOf ballet
instanceOf neoclassical ballet
language none (plotless ballet without words)
movementCount 3
movementStructure three movements corresponding loosely to Mendelssohn's symphonic movements
musicBy Felix Mendelssohn
musicGenre Romantic orchestral music
notableCharacteristic example of Balanchine's use of existing concert music for ballet
notableCharacteristic integration of symphonic form into ballet structure
notableCharacteristic non-literal, atmospheric depiction of Scotland
numberOfActs 1
originalMusicTitle “Scotch Symphony” self-linksurface differs
surface form: Symphony No. 3 in A minor, Op. 56 "Scottish"
period mid-20th century
premiereCity New York City
premiereCompany New York City Ballet
premiereCountry United States of America
surface form: United States
premiereDate 1952-11-11
premiereTheatre City Center of Music and Drama
repertoryStatus core work of New York City Ballet
rightsHolder The George Balanchine Trust
setting evocation of the Scottish Highlands
structure one-act ballet
style Balanchine neoclassicism
style classical ballet technique
style romanticized Scottish atmosphere
yearOfCreation 1952