The Void (Le Vide)
E681551
The Void (Le Vide) is Yves Klein’s radical 1958 conceptual artwork consisting of an apparently empty, white-painted gallery space that challenged traditional notions of art and materiality.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Void (Le Vide) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7675561 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Void (Le Vide) Context triple: [Yves Klein, notableWork, The Void (Le Vide)]
-
A.
La Jetée
La Jetée is a 1962 French science fiction short film composed almost entirely of still photographs, renowned for its innovative storytelling and influence on later works like Twelve Monkeys.
-
B.
Maison d’Ailleurs
Maison d’Ailleurs is a Swiss museum in Yverdon-les-Bains dedicated to science fiction, utopias, and extraordinary journeys, known for its unique collections and exhibitions on speculative imagination.
-
C.
Le Rapport de Brodeck
Le Rapport de Brodeck is a critically acclaimed novel by Philippe Claudel that follows a traumatized survivor in a remote village as he investigates a mysterious crime, exploring themes of guilt, memory, and collective responsibility.
-
D.
L’Apparition
L’Apparition is a French drama film in which Vincent Lindon plays a journalist investigating a young woman’s alleged visions of the Virgin Mary, exploring themes of faith, doubt, and media influence.
-
E.
L’Existence
L’Existence is a philosophical work by French thinker Georges Lacombe that explores the nature and conditions of human existence.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Void (Le Vide) Target entity description: The Void (Le Vide) is Yves Klein’s radical 1958 conceptual artwork consisting of an apparently empty, white-painted gallery space that challenged traditional notions of art and materiality.
-
A.
La Jetée
La Jetée is a 1962 French science fiction short film composed almost entirely of still photographs, renowned for its innovative storytelling and influence on later works like Twelve Monkeys.
-
B.
Maison d’Ailleurs
Maison d’Ailleurs is a Swiss museum in Yverdon-les-Bains dedicated to science fiction, utopias, and extraordinary journeys, known for its unique collections and exhibitions on speculative imagination.
-
C.
Le Rapport de Brodeck
Le Rapport de Brodeck is a critically acclaimed novel by Philippe Claudel that follows a traumatized survivor in a remote village as he investigates a mysterious crime, exploring themes of guilt, memory, and collective responsibility.
-
D.
L’Apparition
L’Apparition is a French drama film in which Vincent Lindon plays a journalist investigating a young woman’s alleged visions of the Virgin Mary, exploring themes of faith, doubt, and media influence.
-
E.
L’Existence
L’Existence is a philosophical work by French thinker Georges Lacombe that explores the nature and conditions of human existence.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
conceptual artwork
ⓘ
exhibition ⓘ installation art ⓘ |
| alsoKnownAs | The Specialization of Sensibility in the Raw Material State of Stabilized Pictorial Sensibility NERFINISHED ⓘ |
| artHistoricalSignificance |
iconic work of Nouveau Réalisme
ⓘ
landmark of early conceptual art ⓘ |
| artistNationalityOfCreator | French ⓘ |
| artMovement | Nouveau Réalisme NERFINISHED ⓘ |
| countryOfFirstExhibition | France NERFINISHED ⓘ |
| creator | Yves Klein NERFINISHED ⓘ |
| durationOfExhibition | 1958-04-28 to 1958-05-19 ⓘ |
| exhibitedAt | Iris Clert Gallery, Paris NERFINISHED ⓘ |
| exhibitionSpaceTreatment |
display fixtures removed
ⓘ
walls painted white ⓘ windows covered ⓘ |
| genre | conceptual art ⓘ |
| hasTheme |
dematerialization of the art object
ⓘ
emptiness ⓘ immateriality ⓘ institutional critique ⓘ viewer perception ⓘ void ⓘ |
| inception | 1958 ⓘ |
| influenced |
installation art practices
ⓘ
later conceptual art ⓘ |
| intendedToChallenge |
conventional exhibition formats
ⓘ
materiality in art ⓘ traditional notions of art ⓘ |
| languageOfTitle | French ⓘ |
| locatedInTheAdministrativeTerritorialEntityOfFirstExhibition | Paris NERFINISHED ⓘ |
| locationOfFirstExhibition | Iris Clert Gallery NERFINISHED ⓘ |
| medium |
empty gallery space
ⓘ
white-painted gallery ⓘ |
| modeOfPresentation |
empty gallery as artwork
ⓘ
solo exhibition ⓘ |
| notableCharacteristic |
absence of physical artworks
ⓘ
apparently empty space ⓘ focus on immateriality ⓘ use of the gallery itself as artwork ⓘ |
| openingDate | 1958-04-28 ⓘ |
| partOf | Yves Klein’s exploration of the immaterial ⓘ |
| requires | viewer’s mental participation ⓘ |
| subjectOf |
art historical analysis
ⓘ
critical theory discussions on dematerialization of art ⓘ |
| title | Le Vide NERFINISHED ⓘ |
| translatedTitle | The Void NERFINISHED ⓘ |
| workType | site-specific work ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Void (Le Vide) Description of subject: The Void (Le Vide) is Yves Klein’s radical 1958 conceptual artwork consisting of an apparently empty, white-painted gallery space that challenged traditional notions of art and materiality.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.