I See Again in Memory My Dear Udnie
E664821
"I See Again in Memory My Dear Udnie" is an abstract, mechanomorphic painting by Francis Picabia that exemplifies his early Dada-influenced exploration of memory, movement, and the fragmentation of the human figure.
All labels observed (1)
| Label | Occurrences |
|---|---|
| I See Again in Memory My Dear Udnie canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T7439525 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: I See Again in Memory My Dear Udnie Context triple: [Francis Picabia, notableWork, I See Again in Memory My Dear Udnie]
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A.
Crossing the Bar
"Crossing the Bar" is a short, reflective poem by Alfred, Lord Tennyson that meditates on death and the soul’s peaceful passage into the afterlife.
-
B.
O Captain! My Captain!
"O Captain! My Captain!" is a famous elegiac poem by Walt Whitman mourning the death of Abraham Lincoln through an extended ship-and-captain metaphor.
-
C.
Diving into the Wreck
"Diving into the Wreck" is a landmark feminist poem and collection by Adrienne Rich that explores themes of gender, power, and self-discovery through the metaphor of an underwater journey into buried histories.
-
D.
Crossing the Water
"Crossing the Water" is a posthumously published collection of poems by Sylvia Plath that showcases her stark, vivid imagery and evolving poetic voice in the years leading up to her death.
-
E.
Green Grow the Lilacs
Green Grow the Lilacs is a 1931 stage play by Lynn Riggs, a folk drama set in Indian Territory that later served as the basis for the musical Oklahoma!.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: I See Again in Memory My Dear Udnie Target entity description: "I See Again in Memory My Dear Udnie" is an abstract, mechanomorphic painting by Francis Picabia that exemplifies his early Dada-influenced exploration of memory, movement, and the fragmentation of the human figure.
-
A.
Crossing the Bar
"Crossing the Bar" is a short, reflective poem by Alfred, Lord Tennyson that meditates on death and the soul’s peaceful passage into the afterlife.
-
B.
O Captain! My Captain!
"O Captain! My Captain!" is a famous elegiac poem by Walt Whitman mourning the death of Abraham Lincoln through an extended ship-and-captain metaphor.
-
C.
Diving into the Wreck
"Diving into the Wreck" is a landmark feminist poem and collection by Adrienne Rich that explores themes of gender, power, and self-discovery through the metaphor of an underwater journey into buried histories.
-
D.
Crossing the Water
"Crossing the Water" is a posthumously published collection of poems by Sylvia Plath that showcases her stark, vivid imagery and evolving poetic voice in the years leading up to her death.
-
E.
Green Grow the Lilacs
Green Grow the Lilacs is a 1931 stage play by Lynn Riggs, a folk drama set in Indian Territory that later served as the basis for the musical Oklahoma!.
- F. None of above. chosen
Statements (24)
| Predicate | Object |
|---|---|
| instanceOf |
mechanomorphic painting
ⓘ
painting ⓘ |
| artisticStyle |
fragmentation of form
ⓘ
mechanomorphic abstraction ⓘ |
| countryOfOrigin | France ⓘ |
| creator | Francis Picabia NERFINISHED ⓘ |
| creatorNationality | French ⓘ |
| creatorOccupation |
Dada artist
ⓘ
painter ⓘ |
| depicts | fragmented human figure ⓘ |
| genre | abstract art ⓘ |
| hasArtForm | oil painting ⓘ |
| hasLanguageOfTitle | English ⓘ |
| hasTheme |
fragmentation of the human figure
ⓘ
mechanization of the human body ⓘ memory and recollection ⓘ movement and dynamism ⓘ |
| influencedBy |
Dada
NERFINISHED
ⓘ
mechanomorphic imagery ⓘ |
| mainSubject |
memory
ⓘ
movement ⓘ |
| movement | Dada NERFINISHED ⓘ |
| partOf | Francis Picabia’s early Dada period ⓘ |
| title | I See Again in Memory My Dear Udnie NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: I See Again in Memory My Dear Udnie Description of subject: "I See Again in Memory My Dear Udnie" is an abstract, mechanomorphic painting by Francis Picabia that exemplifies his early Dada-influenced exploration of memory, movement, and the fragmentation of the human figure.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.