Arte de la pintura
E614728
Arte de la pintura is a 17th-century Spanish treatise on painting that codifies artistic theory, technique, and decorum, written by painter and theorist Francisco Pacheco.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Arte de la pintura canonical | 1 |
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
art treatise
ⓘ
book ⓘ |
| associatedWith |
Catholic religious imagery
ⓘ
Counter-Reformation art ⓘ |
| associatedWithPerson | Diego Velázquez NERFINISHED ⓘ |
| author | Francisco Pacheco NERFINISHED ⓘ |
| countryOfOrigin | Spain ⓘ |
| culturalContext | Spanish Golden Age culture NERFINISHED ⓘ |
| describes | contemporary Spanish painters of Seville ⓘ |
| describesDiscipline | Spanish Baroque painting ⓘ |
| discusses |
evaluation of artworks
ⓘ
propriety in religious images ⓘ role of the painter in society ⓘ training of painters ⓘ use of models in painting ⓘ |
| focusesOnRegion | Seville NERFINISHED ⓘ |
| genre |
art theory
ⓘ
painting treatise ⓘ |
| hasPart |
biographical notes on painters
ⓘ
discussion of iconography ⓘ guidelines on artistic decorum ⓘ rules for religious imagery ⓘ technical advice on painting practice ⓘ |
| hasTheoreticalFramework |
Aristotelian scholasticism
ⓘ
Counter-Reformation doctrine ⓘ |
| hasTitleInLanguage | Arte de la pintura (Spanish) ⓘ |
| historicalSignificance | key textual source for Spanish Baroque art ⓘ |
| influenced | Spanish Golden Age painting theory ⓘ |
| intendedAudience |
art theorists
ⓘ
ecclesiastical authorities ⓘ painters ⓘ |
| literaryForm | prose ⓘ |
| mainSubject |
artistic decorum
ⓘ
artistic technique ⓘ artistic theory ⓘ painting ⓘ |
| movement | Baroque ⓘ |
| originalLanguage | Spanish ⓘ |
| publicationCentury | 17th century ⓘ |
| regulates |
iconographic correctness in painting
ⓘ
moral conduct of painters ⓘ |
| relatedWorkOfAuthor | Francisco Pacheco’s activity as painter in Seville ⓘ |
| timePeriodDescribed | Spanish Golden Age NERFINISHED ⓘ |
| usedAsSourceBy | art historians of Spanish Baroque ⓘ |
| workChronologyPosition | early systematic Spanish treatise on painting ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.