5x5=25 exhibition

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The "5x5=25" exhibition was a landmark 1921 Moscow avant-garde art show that showcased radical Constructivist and non-objective works by artists including Lyubov Popova, emphasizing pure geometric abstraction and the rejection of traditional easel painting.

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Statements (42)

Predicate Object
instanceOf Constructivist art exhibition
art exhibition
artisticApproach elimination of representational imagery
emphasis on industrial and constructive principles
reduction of painting to basic elements of color and plane
artisticGoal to abandon traditional easel painting
to explore pure color and form
artisticStance anti-bourgeois art
functional and socially oriented art
chronologicalContext early Soviet period
post-Revolutionary Russian art
country Russia
Soviet Russia NERFINISHED
curatorialConcept presentation of radical non-objective works
displayStrategy series-based works exploring systematic variations
exhibitionType group exhibition
genre Constructivism
historicalSignificance key moment in the development of Constructivism
landmark exhibition of the Russian avant-garde
inception 1921
influenced abstract art in the Soviet Union
later Constructivist design
language Russian
legacy often cited in art history as a turning point away from easel painting in Russia
location Moscow
medium graphic works
painting
movement Constructivism NERFINISHED
Russian avant-garde NERFINISHED
non-objective art
name 5x5=25
notableWorkType geometric abstraction
non-objective painting
participant Aleksandr Rodchenko NERFINISHED
Alexander Vesnin NERFINISHED
Alexandra Exter NERFINISHED
Lyubov Popova NERFINISHED
Varvara Stepanova NERFINISHED
relatedMovement Productivism NERFINISHED
Suprematism NERFINISHED
theme pure geometric abstraction
rejection of traditional easel painting

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Lyubov Popova participantIn 5x5=25 exhibition