Raga Todi
E614557
Raga Todi is a prominent and austere morning raga in Hindustani classical music, known for its complex, introspective mood and distinctive use of flattened notes.
Statements (52)
| Predicate | Object |
|---|---|
| instanceOf |
Hindustani raga
ⓘ
melodic mode ⓘ |
| alternativeName | Miyan ki Todi NERFINISHED ⓘ |
| alternativeTransliteration | Todi NERFINISHED ⓘ |
| aroha | S r g M^ d N S ⓘ |
| associatedRasa |
bhakti
ⓘ
karuna ⓘ |
| aura | austere ⓘ |
| avaroha | S N d P M^ g r S ⓘ |
| characteristic |
complex intonation
ⓘ
microtonal inflections ⓘ prominent use of komal swaras ⓘ slow, deliberate development ⓘ |
| commonInstrument |
bansuri
ⓘ
sarangi ⓘ sarod ⓘ sitar ⓘ violin ⓘ voice ⓘ |
| distinguishedFrom |
Bilaskhani Todi
NERFINISHED
ⓘ
Gurjari Todi NERFINISHED ⓘ Marwa NERFINISHED ⓘ Poorvi NERFINISHED ⓘ |
| genreUsage |
dhrupad
ⓘ
instrumental classical ⓘ khayal ⓘ |
| historicalAssociation | Miyan Tansen (traditional attribution) NERFINISHED ⓘ |
| janyaOf | Todi thaat NERFINISHED ⓘ |
| mood |
introspective
ⓘ
meditative ⓘ serious ⓘ |
| moodAssociation |
devotion
ⓘ
pathos ⓘ |
| musicTradition | Hindustani classical music ⓘ |
| pakad |
g M^ d M^ g r S
ⓘ
r g M^ d M^ g r S ⓘ |
| performancePractice |
often elaborated in vilambit laya
ⓘ
popular in khayal genre ⓘ used in dhrupad performance ⓘ |
| region |
northern India
ⓘ
surface form:
North India
|
| samvadi | Ga ⓘ |
| scaleType | heptatonic ⓘ |
| thaat | Todi thaat NERFINISHED ⓘ |
| timeOfPerformance | morning ⓘ |
| timeOfPerformanceDetail | late morning ⓘ |
| usesKomalDha | true ⓘ |
| usesKomalGa | true ⓘ |
| usesKomalNi | true ⓘ |
| usesKomalRe | true ⓘ |
| usesSwaras | Sa Re Ga Ma Pa Dha Ni Sa ⓘ |
| usesTivraMa | true ⓘ |
| vadi | Dha ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.