Five Pieces for Orchestra, Op. 10
E602050
Five Pieces for Orchestra, Op. 10 is a brief, highly concentrated atonal orchestral work by Anton Webern that exemplifies his early modernist, expressionist style and innovative use of timbre.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Five Pieces for Orchestra | 1 |
| Five Pieces for Orchestra, Op. 10 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6523258 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Five Pieces for Orchestra, Op. 10 Context triple: [Anton Webern, notableWork, Five Pieces for Orchestra, Op. 10]
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A.
Five Orchestral Pieces, Op. 16
Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
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B.
Concerto for Orchestra
Concerto for Orchestra is a large-scale, rhythmically complex orchestral work by American composer Elliott Carter that showcases the virtuosity of the entire ensemble.
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C.
Partita for Orchestra
Partita for Orchestra is a lively and colorful orchestral work by English composer William Walton, showcasing his rhythmic vitality and brilliant orchestration.
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D.
Four Pieces for Piano, Op. 119
Four Pieces for Piano, Op. 119 is a late Romantic piano cycle by Johannes Brahms that reflects his mature, introspective style through a set of character pieces.
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E.
Young Person’s Guide to the Orchestra, Op. 34
Young Person’s Guide to the Orchestra, Op. 34 is a 1945 orchestral work by Benjamin Britten that introduces and showcases the instruments of the symphony orchestra through a set of variations and a fugue on a theme by Henry Purcell.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Five Pieces for Orchestra, Op. 10 Target entity description: Five Pieces for Orchestra, Op. 10 is a brief, highly concentrated atonal orchestral work by Anton Webern that exemplifies his early modernist, expressionist style and innovative use of timbre.
-
A.
Five Orchestral Pieces, Op. 16
Five Orchestral Pieces, Op. 16 is a landmark early 20th-century orchestral work by Arnold Schoenberg that exemplifies his move toward atonality and highly expressive, coloristic writing.
-
B.
Concerto for Orchestra
Concerto for Orchestra is a large-scale, rhythmically complex orchestral work by American composer Elliott Carter that showcases the virtuosity of the entire ensemble.
-
C.
Partita for Orchestra
Partita for Orchestra is a lively and colorful orchestral work by English composer William Walton, showcasing his rhythmic vitality and brilliant orchestration.
-
D.
Four Pieces for Piano, Op. 119
Four Pieces for Piano, Op. 119 is a late Romantic piano cycle by Johannes Brahms that reflects his mature, introspective style through a set of character pieces.
-
E.
Young Person’s Guide to the Orchestra, Op. 34
Young Person’s Guide to the Orchestra, Op. 34 is a 1945 orchestral work by Benjamin Britten that introduces and showcases the instruments of the symphony orchestra through a set of variations and a fugue on a theme by Henry Purcell.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
atonal composition
ⓘ
orchestral composition ⓘ |
| associatedWith |
Alban Berg
NERFINISHED
ⓘ
Arnold Schoenberg NERFINISHED ⓘ Second Viennese School NERFINISHED ⓘ |
| belongsTo | 20th-century classical music repertoire ⓘ |
| catalogueDesignation | Opus 10 NERFINISHED ⓘ |
| characteristic |
brief duration
ⓘ
expressionist intensity ⓘ highly concentrated ⓘ |
| composer | Anton Webern NERFINISHED ⓘ |
| composerNationality | Austrian ⓘ |
| countryOfOrigin | Austria ⓘ |
| era | modern era ⓘ |
| exemplifies |
Webern's early modernist style
ⓘ
Webern's expressionist style ⓘ |
| genre |
expressionist music
ⓘ
modernist music ⓘ orchestral music ⓘ |
| hasKey | no fixed key ⓘ |
| hasTitle | Fünf Stücke für Orchester, Op. 10 NERFINISHED ⓘ |
| influencedBy |
expressionist aesthetics
ⓘ
late Romanticism ⓘ |
| instrumentation | orchestra ⓘ |
| language | instrumental ⓘ |
| movementList |
I. Sehr ruhig und zart
ⓘ
II. Lebhaft und zart ⓘ III. Sehr langsam und äußerst ruhig ⓘ IV. Fließend, aber nicht schnell ⓘ V. Sehr fließend ⓘ |
| movementTempoIndicationLanguage | German ⓘ |
| musicalForm | suite ⓘ |
| notableFor |
coloristic use of instruments
ⓘ
extreme concision ⓘ pointillistic orchestration ⓘ subtle dynamics ⓘ |
| numberOfMovements | 5 ⓘ |
| opusNumber | Op. 10 ⓘ |
| originalTitleLanguage | German ⓘ |
| partOf | Webern's early atonal works ⓘ |
| period | early 20th century ⓘ |
| structure | five short movements ⓘ |
| style | atonal ⓘ |
| tonality | atonal ⓘ |
| typicalPerformanceDuration | approximately 6 minutes ⓘ |
| uses |
Klangfarbenmelodie
NERFINISHED
ⓘ
innovative timbre ⓘ |
How these facts were elicited
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Subject: Five Pieces for Orchestra, Op. 10 Description of subject: Five Pieces for Orchestra, Op. 10 is a brief, highly concentrated atonal orchestral work by Anton Webern that exemplifies his early modernist, expressionist style and innovative use of timbre.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.