Requiem, Op. 5
E584582
Requiem, Op. 5 is Hector Berlioz’s monumental Grande Messe des morts, a large-scale 19th-century choral and orchestral work renowned for its dramatic power and massive forces.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Requiem, Op. 5 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6302067 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Requiem, Op. 5 Context triple: [Berlioz Requiem, alsoKnownAs, Requiem, Op. 5]
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A.
Requiem in D minor, Op. 48
Requiem in D minor, Op. 48 is Gabriel Fauré’s serene and lyrical setting of the Catholic Mass for the Dead, renowned for its gentle, consolatory character and enduring place in the choral repertoire.
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B.
Sinfonia da Requiem, Op. 20
Sinfonia da Requiem, Op. 20 is a large-scale orchestral work by Benjamin Britten, written in 1940 as a somber, non-liturgical reflection on war and loss.
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C.
Requiem, Op. 89
Requiem, Op. 89 is a large-scale sacred choral and orchestral work by Antonín Dvořák, renowned for its dramatic intensity and lyrical Romantic style.
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D.
Requiem in C minor
Requiem in C minor is a solemn and influential liturgical composition for chorus and orchestra by Luigi Cherubini, admired for its dramatic intensity and masterful choral writing.
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E.
Requiem in D minor
Requiem in D minor is a solemn choral-orchestral mass for the dead by Luigi Cherubini, renowned for its dramatic intensity and influence on later composers such as Beethoven and Brahms.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Requiem, Op. 5 Target entity description: Requiem, Op. 5 is Hector Berlioz’s monumental Grande Messe des morts, a large-scale 19th-century choral and orchestral work renowned for its dramatic power and massive forces.
-
A.
Requiem in D minor, Op. 48
Requiem in D minor, Op. 48 is Gabriel Fauré’s serene and lyrical setting of the Catholic Mass for the Dead, renowned for its gentle, consolatory character and enduring place in the choral repertoire.
-
B.
Sinfonia da Requiem, Op. 20
Sinfonia da Requiem, Op. 20 is a large-scale orchestral work by Benjamin Britten, written in 1940 as a somber, non-liturgical reflection on war and loss.
-
C.
Requiem, Op. 89
Requiem, Op. 89 is a large-scale sacred choral and orchestral work by Antonín Dvořák, renowned for its dramatic intensity and lyrical Romantic style.
-
D.
Requiem in C minor
Requiem in C minor is a solemn and influential liturgical composition for chorus and orchestra by Luigi Cherubini, admired for its dramatic intensity and masterful choral writing.
-
E.
Requiem in D minor
Requiem in D minor is a solemn choral-orchestral mass for the dead by Luigi Cherubini, renowned for its dramatic intensity and influence on later composers such as Beethoven and Brahms.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
requiem ⓘ sacred choral work ⓘ |
| alternativeTitle | Requiem NERFINISHED ⓘ |
| approximateDuration | about 90 minutes ⓘ |
| commissionedBy | French government NERFINISHED ⓘ |
| composer | Hector Berlioz NERFINISHED ⓘ |
| composerNationality | French ⓘ |
| countryOfOrigin | France ⓘ |
| dateComposed | 1837 ⓘ |
| dedicatedTo | memory of the French war dead ⓘ |
| forces |
expanded percussion
ⓘ
large chorus ⓘ large orchestra ⓘ multiple brass choirs ⓘ tenor soloist ⓘ |
| genre |
Requiem mass
ⓘ
sacred music ⓘ |
| historicalSignificance |
landmark of 19th-century choral-orchestral repertoire
ⓘ
major work in Berlioz’s output ⓘ |
| influencedBy | Catholic liturgy ⓘ |
| language | Latin ⓘ |
| movement |
Agnus Dei
NERFINISHED
ⓘ
Dies irae NERFINISHED ⓘ Hostias NERFINISHED ⓘ Introit et Kyrie NERFINISHED ⓘ Lacrimosa NERFINISHED ⓘ Offertorium NERFINISHED ⓘ Quaerens me ⓘ Quid sum miser NERFINISHED ⓘ Rex tremendae NERFINISHED ⓘ Sanctus ⓘ |
| notableFeature |
dramatic use of brass choirs
ⓘ
extreme dynamic contrasts ⓘ massive orchestral and choral forces ⓘ |
| numberOfMovements | 10 ⓘ |
| occasion | memorial for the dead of the July Revolution of 1830 ⓘ |
| opusNumber | Op. 5 ⓘ |
| orchestrationCharacteristic |
innovative use of spatially separated brass
ⓘ
very large woodwind and brass sections ⓘ |
| period | Romantic era ⓘ |
| premiereConductor | Hector Berlioz NERFINISHED ⓘ |
| premiereCountry | France NERFINISHED ⓘ |
| premiereDate | 1837 ⓘ |
| premierePlace | Paris NERFINISHED ⓘ |
| scoring | tenor solo, large mixed chorus, and orchestra ⓘ |
| style |
dramatic
ⓘ
monumental ⓘ |
| textSource | Roman Catholic Requiem Mass NERFINISHED ⓘ |
| title | Grande Messe des morts NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Requiem, Op. 5 Description of subject: Requiem, Op. 5 is Hector Berlioz’s monumental Grande Messe des morts, a large-scale 19th-century choral and orchestral work renowned for its dramatic power and massive forces.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.