Berlioz Requiem
E141278
Berlioz Requiem is Hector Berlioz’s monumental 1837 Grande Messe des morts, a large-scale Romantic choral and orchestral work renowned for its dramatic power and massive forces.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Berlioz Requiem canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1208118 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Berlioz Requiem Context triple: [Westminster Symphonic Choir, repertoireIncludes, Berlioz Requiem]
-
A.
Verdi Requiem
The Verdi Requiem is a dramatic and operatic-style Roman Catholic funeral mass composed by Giuseppe Verdi, renowned for its powerful choral writing and emotional intensity.
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B.
Berlioz Symphonie fantastique
Berlioz's *Symphonie fantastique* is a groundbreaking 1830 Romantic program symphony renowned for its vivid orchestration and dramatic depiction of an artist’s opium-induced visions.
-
C.
Berlioz La damnation de Faust
Berlioz's *La damnation de Faust* is a dramatic legend for soloists, chorus, and orchestra that vividly reimagines Goethe’s Faust through richly orchestrated, theatrical music often performed in concert form.
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D.
Requiem
Requiem is a large-scale choral-orchestral work by American composer John Harbison that sets traditional Latin Requiem Mass texts in a contemporary classical style.
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E.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Berlioz Requiem Target entity description: Berlioz Requiem is Hector Berlioz’s monumental 1837 Grande Messe des morts, a large-scale Romantic choral and orchestral work renowned for its dramatic power and massive forces.
-
A.
Verdi Requiem
The Verdi Requiem is a dramatic and operatic-style Roman Catholic funeral mass composed by Giuseppe Verdi, renowned for its powerful choral writing and emotional intensity.
-
B.
Berlioz Symphonie fantastique
Berlioz's *Symphonie fantastique* is a groundbreaking 1830 Romantic program symphony renowned for its vivid orchestration and dramatic depiction of an artist’s opium-induced visions.
-
C.
Berlioz La damnation de Faust
Berlioz's *La damnation de Faust* is a dramatic legend for soloists, chorus, and orchestra that vividly reimagines Goethe’s Faust through richly orchestrated, theatrical music often performed in concert form.
-
D.
Requiem
Requiem is a large-scale choral-orchestral work by American composer John Harbison that sets traditional Latin Requiem Mass texts in a contemporary classical style.
-
E.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
Requiem Mass
ⓘ
Romantic-era composition ⓘ choral composition ⓘ sacred music ⓘ symphonic work ⓘ |
| alsoKnownAs | Requiem, Op. 5 ⓘ |
| approximateDuration | about 90 minutes ⓘ |
| catalogueNumber | Op. 5 ⓘ |
| commissionedBy |
Government of France
ⓘ
surface form:
French government
|
| commissionedFor |
memorial of soldiers killed in the Siege of Constantine
ⓘ
memorial service for General Charles-Marie Denys de Damrémont ⓘ |
| composer | Hector Berlioz ⓘ |
| countryOfOrigin | France ⓘ |
| dateComposed | 1837 ⓘ |
| dedicatedTo | General Charles-Marie Denys de Damrémont ⓘ |
| firstPerformanceDate | 5 December 1837 ⓘ |
| firstPerformancePlace | Les Invalides, Paris ⓘ |
| genre |
Requiem
ⓘ
sacred choral music ⓘ |
| influenced | later large-scale Requiem settings ⓘ |
| influencedBy | French Revolutionary ceremonial music ⓘ |
| keyCharacteristic |
frequent use of offstage brass
ⓘ
innovative orchestration ⓘ |
| language | Latin ⓘ |
| notableFeature |
dramatic dynamic contrasts
ⓘ
extremely large performing forces ⓘ spatially separated brass ensembles ⓘ |
| notableMovement |
Dies irae
ⓘ
Lacrimosa ⓘ Sanctus ⓘ Tuba mirum ⓘ |
| numberOfMovements | 10 ⓘ |
| period | Romantic ⓘ |
| placeInOeuvre | one of Hector Berlioz’s most monumental works ⓘ |
| publisher | Brandus ⓘ |
| religiousTradition | Roman Catholicism ⓘ |
| scoring |
expanded woodwind section
ⓘ
four additional brass choirs ⓘ full symphony orchestra ⓘ large mixed chorus ⓘ large percussion section ⓘ tenor solo ⓘ |
| style | French grand ceremonial style ⓘ |
| textSource | Roman Catholic Requiem Mass ⓘ |
| title |
Grande messe des morts
ⓘ
surface form:
Grande Messe des morts
|
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Berlioz Requiem Description of subject: Berlioz Requiem is Hector Berlioz’s monumental 1837 Grande Messe des morts, a large-scale Romantic choral and orchestral work renowned for its dramatic power and massive forces.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.