Stabat Mater
E581603
Stabat Mater is a sacred choral composition setting the medieval Latin hymn about the Virgin Mary's sorrow at the Crucifixion, famously rendered in polyphonic style by Renaissance composer Giovanni Pierluigi da Palestrina.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Stabat Mater canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6288377 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Stabat Mater Context triple: [Giovanni Pierluigi da Palestrina, notableWork, Stabat Mater]
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A.
Stabat Mater
Stabat Mater is a choral composition by Estonian composer Arvo Pärt that exemplifies his meditative, minimalist tintinnabuli style in setting the traditional Latin hymn about the sorrow of the Virgin Mary.
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B.
Lacrimosa
Lacrimosa is the poignant, mournful section of Mozart's Requiem best known for its expressive choral writing and emotional intensity.
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C.
Stabat Mater, RV 621
Stabat Mater, RV 621 is a sacred vocal composition by Antonio Vivaldi that sets the traditional Latin hymn about the Virgin Mary's sorrow at the Crucifixion to music for solo voice and string orchestra.
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D.
Stabat Mater, Op. 58
Stabat Mater, Op. 58 is a large-scale sacred cantata by Antonín Dvořák for soloists, choir, and orchestra, renowned for its deeply expressive and consolatory setting of the traditional Latin text mourning the Virgin Mary at the Crucifixion.
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E.
Alma Redemptoris Mater
Alma Redemptoris Mater is a traditional Catholic Marian antiphon sung especially during the Advent and Christmas seasons in honor of the Virgin Mary.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Stabat Mater Target entity description: Stabat Mater is a sacred choral composition setting the medieval Latin hymn about the Virgin Mary's sorrow at the Crucifixion, famously rendered in polyphonic style by Renaissance composer Giovanni Pierluigi da Palestrina.
-
A.
Stabat Mater
Stabat Mater is a choral composition by Estonian composer Arvo Pärt that exemplifies his meditative, minimalist tintinnabuli style in setting the traditional Latin hymn about the sorrow of the Virgin Mary.
-
B.
Lacrimosa
Lacrimosa is the poignant, mournful section of Mozart's Requiem best known for its expressive choral writing and emotional intensity.
-
C.
Stabat Mater, RV 621
Stabat Mater, RV 621 is a sacred vocal composition by Antonio Vivaldi that sets the traditional Latin hymn about the Virgin Mary's sorrow at the Crucifixion to music for solo voice and string orchestra.
-
D.
Stabat Mater, Op. 58
Stabat Mater, Op. 58 is a large-scale sacred cantata by Antonín Dvořák for soloists, choir, and orchestra, renowned for its deeply expressive and consolatory setting of the traditional Latin text mourning the Virgin Mary at the Crucifixion.
-
E.
Alma Redemptoris Mater
Alma Redemptoris Mater is a traditional Catholic Marian antiphon sung especially during the Advent and Christmas seasons in honor of the Virgin Mary.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
musical setting of hymn
ⓘ
sacred choral composition ⓘ |
| associatedDoctrine |
Marian devotion
ⓘ
Passion of Christ NERFINISHED ⓘ |
| associatedWith |
Our Lady of Sorrows
NERFINISHED
ⓘ
Seven Sorrows of Mary NERFINISHED ⓘ |
| category |
Christian hymns
ⓘ
Latin hymns ⓘ Marian hymns ⓘ |
| centuryOfTextOrigin | 13th century ⓘ |
| devotionalFocus | compassion with the suffering of Mary ⓘ |
| firstLineTranslation | The sorrowful Mother was standing ⓘ |
| genre | sequence ⓘ |
| hasForm | rhymed couplets ⓘ |
| hasLanguage | Latin ⓘ |
| includedIn |
Breviary devotions
ⓘ
Roman Missal (historically as a sequence) NERFINISHED ⓘ |
| influence |
Catholic liturgical music
ⓘ
Western sacred music ⓘ |
| inspiredWorkBy |
Antonio Vivaldi
NERFINISHED
ⓘ
Antonín Dvořák NERFINISHED ⓘ Arvo Pärt NERFINISHED ⓘ Francis Poulenc NERFINISHED ⓘ Franz Joseph Haydn NERFINISHED ⓘ Gioachino Rossini NERFINISHED ⓘ Giovanni Battista Pergolesi NERFINISHED ⓘ Giovanni Pierluigi da Palestrina NERFINISHED ⓘ Karol Szymanowski NERFINISHED ⓘ Krzysztof Penderecki NERFINISHED ⓘ |
| invokes | intercession of the Virgin Mary ⓘ |
| liturgicalOccasion |
Feast of Our Lady of Sorrows
NERFINISHED
ⓘ
Lenten devotions ⓘ |
| liturgicalUse | Roman Catholic Church NERFINISHED ⓘ |
| meter | trochaic ⓘ |
| numberOfStanzas | 20 ⓘ |
| openingWords | Stabat mater dolorosa ⓘ |
| requests |
grace at the hour of death
ⓘ
sharing in Christ’s Passion ⓘ |
| rhymeScheme | trochaic tetrameter ⓘ |
| subject | Virgin Mary NERFINISHED ⓘ |
| textAuthor | Jacopone da Todi NERFINISHED ⓘ |
| textType | medieval Latin hymn ⓘ |
| theme | sorrow of Mary at the Crucifixion of Jesus ⓘ |
| timeOfCrucifixionFocus | standing by the cross of Jesus ⓘ |
| tradition | Franciscan spirituality ⓘ |
| usedIn |
Stations of the Cross devotions
ⓘ
processions ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Stabat Mater Description of subject: Stabat Mater is a sacred choral composition setting the medieval Latin hymn about the Virgin Mary's sorrow at the Crucifixion, famously rendered in polyphonic style by Renaissance composer Giovanni Pierluigi da Palestrina.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.