Musikalische Exequien
E556749
Musikalische Exequien is a 17th-century German funeral music composition by Heinrich Schütz that is regarded as one of the earliest and most significant Lutheran requiem works.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Musikalische Exequien canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5946951 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Musikalische Exequien Context triple: [Heinrich Schütz, notableWork, Musikalische Exequien]
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A.
Requiem
"Requiem" is an emotionally charged song from the Broadway musical *Dear Evan Hansen* that explores a family's struggle to grieve and remember a troubled loved one.
-
B.
Requiem
Requiem is a large-scale choral-orchestral work by American composer John Harbison that sets traditional Latin Requiem Mass texts in a contemporary classical style.
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C.
Requiem
Requiem is a deeply expressive and harmonically rich choral work by English composer Herbert Howells, often regarded as one of his finest sacred compositions.
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D.
Austrian Requiem
Austrian Requiem is a memoir by former Austrian chancellor Kurt Schuschnigg reflecting on the events leading up to Austria’s annexation by Nazi Germany and his own political downfall.
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E.
Requiem in D minor
Requiem in D minor is Mozart’s famous final, unfinished mass for the dead, renowned for its dramatic intensity and profound emotional depth.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Musikalische Exequien Target entity description: Musikalische Exequien is a 17th-century German funeral music composition by Heinrich Schütz that is regarded as one of the earliest and most significant Lutheran requiem works.
-
A.
Requiem
Requiem is a deeply expressive and harmonically rich choral work by English composer Herbert Howells, often regarded as one of his finest sacred compositions.
-
B.
Requiem
"Requiem" is an emotionally charged song from the Broadway musical *Dear Evan Hansen* that explores a family's struggle to grieve and remember a troubled loved one.
-
C.
Requiem
Requiem is a large-scale choral-orchestral work by American composer John Harbison that sets traditional Latin Requiem Mass texts in a contemporary classical style.
-
D.
Austrian Requiem
Austrian Requiem is a memoir by former Austrian chancellor Kurt Schuschnigg reflecting on the events leading up to Austria’s annexation by Nazi Germany and his own political downfall.
-
E.
Requiem in D minor
Requiem in D minor is Mozart’s famous final, unfinished mass for the dead, renowned for its dramatic intensity and profound emotional depth.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
Lutheran requiem
ⓘ
funeral music ⓘ sacred music composition ⓘ vocal composition ⓘ |
| associatedWith | Heinrich Schütz NERFINISHED ⓘ |
| catalogNumber | SWV 279–281 ⓘ |
| commissionedBy | Heinrich Posthumus Reuß NERFINISHED ⓘ |
| composer | Heinrich Schütz NERFINISHED ⓘ |
| countryOfOrigin | Electorate of Saxony NERFINISHED ⓘ |
| dateOfComposition | 1635 ⓘ |
| genre |
funeral music
ⓘ
requiem ⓘ sacred concerto ⓘ |
| hasKeyText |
Herr, nun lässest du deinen Diener in Friede fahren
ⓘ
Herr, wenn ich nur dich habe NERFINISHED ⓘ |
| hasPart |
Canticum B. Simeonis Herr, nun lässest du deinen Diener in Friede fahren, SWV 281
NERFINISHED
ⓘ
Concert in Form einer teutschen Begräbnis-Messe, SWV 279 NERFINISHED ⓘ Motet Herr, wenn ich nur dich habe, SWV 280 NERFINISHED ⓘ |
| historicalContext | Thirty Years' War era Germany NERFINISHED ⓘ |
| influenced | later German Protestant funeral music ⓘ |
| intendedUse | aristocratic funeral ceremony ⓘ |
| keyCharacteristic |
alternation of soloists and choir
ⓘ
concertato style writing ⓘ use of polychoral techniques ⓘ |
| language | German ⓘ |
| liturgicalFunction | funeral service ⓘ |
| movementTitle |
Concert in Form einer teutschen Begräbnis-Messe
NERFINISHED
ⓘ
Herr, nun lässest du deinen Diener in Friede fahren ⓘ Herr, wenn ich nur dich habe ⓘ |
| notableFor |
being one of the earliest Lutheran requiem compositions
ⓘ
expressive text setting ⓘ integrating German vernacular texts into a funeral mass form ⓘ |
| numberOfParts | 3 ⓘ |
| occasion | funeral of Heinrich Posthumus Reuß ⓘ |
| period | Baroque ⓘ |
| placeOfFirstPerformance | Gera NERFINISHED ⓘ |
| placeOfFirstPublication | Dresden NERFINISHED ⓘ |
| publicationDate | 1636 ⓘ |
| religiousTradition | Lutheranism ⓘ |
| scoring |
solo voices, choir and continuo
ⓘ
vocal ensemble with basso continuo ⓘ |
| style | early Baroque ⓘ |
| subjectOf | musicological studies on early Lutheran funeral music ⓘ |
| textLanguage | German ⓘ |
| textSource |
Lutheran chorales
ⓘ
inscriptions chosen by Heinrich Posthumus Reuß for his coffin ⓘ selected German biblical texts ⓘ |
| yearOfFirstPerformance | 1636 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Musikalische Exequien Description of subject: Musikalische Exequien is a 17th-century German funeral music composition by Heinrich Schütz that is regarded as one of the earliest and most significant Lutheran requiem works.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.