The Supper at Emmaus (Milan version)
E536661
The Supper at Emmaus (Milan version) is a later rendition by Caravaggio of his famous biblical scene depicting the resurrected Christ revealing himself to disciples during a meal at Emmaus, notable for its darker palette and more subdued, introspective mood.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Supper at Emmaus (Milan version) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5496023 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Supper at Emmaus (Milan version) Context triple: [The Supper at Emmaus, hasVersion, The Supper at Emmaus (Milan version)]
-
A.
The Supper at Emmaus (Biblical episode)
The Supper at Emmaus (Biblical episode) is a New Testament story in which the resurrected Jesus reveals his identity to two disciples during a meal in the village of Emmaus, symbolizing recognition through the breaking of bread.
-
B.
Stefaneschi Altarpiece
The Stefaneschi Altarpiece is a celebrated early 14th-century triptych by Giotto, created for St. Peter’s Basilica in Rome and noted for its innovative use of space and expressive religious imagery.
-
C.
The Allegory of the Apostles
The Allegory of the Apostles is a religious painting by Dutch Golden Age artist Abraham Bloemaert that symbolically depicts the twelve apostles.
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D.
The Last Supper (San Salvi)
The Last Supper (San Salvi) is a renowned High Renaissance fresco by Andrea del Sarto, celebrated for its harmonious composition, subtle color, and psychological depth in depicting Christ’s final meal with his apostles.
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E.
The Allegory of the Passion of Christ
The Allegory of the Passion of Christ is a religious painting by Dutch Golden Age artist Abraham Bloemaert that symbolically depicts the suffering, death, and redemptive sacrifice of Jesus Christ.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Supper at Emmaus (Milan version) Target entity description: The Supper at Emmaus (Milan version) is a later rendition by Caravaggio of his famous biblical scene depicting the resurrected Christ revealing himself to disciples during a meal at Emmaus, notable for its darker palette and more subdued, introspective mood.
-
A.
The Supper at Emmaus (Biblical episode)
The Supper at Emmaus (Biblical episode) is a New Testament story in which the resurrected Jesus reveals his identity to two disciples during a meal in the village of Emmaus, symbolizing recognition through the breaking of bread.
-
B.
Stefaneschi Altarpiece
The Stefaneschi Altarpiece is a celebrated early 14th-century triptych by Giotto, created for St. Peter’s Basilica in Rome and noted for its innovative use of space and expressive religious imagery.
-
C.
The Allegory of the Apostles
The Allegory of the Apostles is a religious painting by Dutch Golden Age artist Abraham Bloemaert that symbolically depicts the twelve apostles.
-
D.
The Last Supper (San Salvi)
The Last Supper (San Salvi) is a renowned High Renaissance fresco by Andrea del Sarto, celebrated for its harmonious composition, subtle color, and psychological depth in depicting Christ’s final meal with his apostles.
-
E.
The Allegory of the Passion of Christ
The Allegory of the Passion of Christ is a religious painting by Dutch Golden Age artist Abraham Bloemaert that symbolically depicts the suffering, death, and redemptive sacrifice of Jesus Christ.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
painting
ⓘ
religious painting ⓘ |
| artHistoricalPeriod | early 17th century ⓘ |
| basedOn |
Gospel of Luke
NERFINISHED
ⓘ
Supper at Emmaus narrative NERFINISHED ⓘ |
| biblicalBook | Gospel of Luke NERFINISHED ⓘ |
| cityOfMuseum | Milan NERFINISHED ⓘ |
| collection | Pinacoteca di Brera collection NERFINISHED ⓘ |
| colorPalette | dark ⓘ |
| comparedWith | The Supper at Emmaus (National Gallery, London) NERFINISHED ⓘ |
| completionDate | c. 1606 ⓘ |
| country | Italy ⓘ |
| creator | Caravaggio NERFINISHED ⓘ |
| creatorBirthName | Michelangelo Merisi da Caravaggio NERFINISHED ⓘ |
| creatorNationality | Italian ⓘ |
| depicts |
Jesus Christ
NERFINISHED
ⓘ
New Testament scene ⓘ disciples at Emmaus ⓘ resurrected Christ ⓘ |
| follows | The Supper at Emmaus (London version) NERFINISHED ⓘ |
| genre | biblical painting ⓘ |
| iconography | Eucharistic meal ⓘ |
| inception | c. 1606 ⓘ |
| languageOfOriginalTitle | Italian ⓘ |
| languageOfTitle | English ⓘ |
| locatedIn |
Italy
ⓘ
Milan NERFINISHED ⓘ |
| location | Pinacoteca di Brera NERFINISHED ⓘ |
| medium |
oil on canvas
ⓘ
oil paint ⓘ |
| mood |
introspective
ⓘ
subdued ⓘ |
| movement | Baroque ⓘ |
| notableCharacteristic |
darker palette than London version
ⓘ
greater psychological introspection ⓘ more restrained gestures than London version ⓘ |
| originalTitle | Cena in Emmaus NERFINISHED ⓘ |
| religion | Christianity ⓘ |
| school | Italian Baroque painting ⓘ |
| series | later version of Supper at Emmaus by Caravaggio ⓘ |
| setting | Emmaus NERFINISHED ⓘ |
| style |
Baroque
ⓘ
chiaroscuro ⓘ |
| subject | Christ revealing himself after the Resurrection ⓘ |
| theme |
Resurrection of Christ
NERFINISHED
ⓘ
recognition of Christ in the breaking of bread ⓘ |
| title | The Supper at Emmaus NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Supper at Emmaus (Milan version) Description of subject: The Supper at Emmaus (Milan version) is a later rendition by Caravaggio of his famous biblical scene depicting the resurrected Christ revealing himself to disciples during a meal at Emmaus, notable for its darker palette and more subdued, introspective mood.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
The Supper at Emmaus