איזבל מלכת ישראל

Target entity: איזבל מלכת ישראל
Context triple: [אֵלִיָּהוּ, חי בתקופת, איזבל מלכת ישראל]

• A. Rainha Má
  Rainha Má is a popular Brazilian song by Daniela Mercury that helped solidify her status as a leading figure in axé music in the 1990s.
• B. Alice of Jerusalem
  Alice of Jerusalem was a 12th-century princess of the Kingdom of Jerusalem who became princess consort of Antioch and was known for her political ambitions and conflicts with her royal relatives.
• C. Izabel
  Izabel is a feminine given name, commonly used in various cultures as a variant of Isabel or Isabella.
• D. Isabella
  Isabella is a virtuous and resourceful young noblewoman in Horace Walpole’s Gothic novel "The Castle of Otranto," whose peril and resistance drive much of the story’s suspense and drama.
• E. Isabella
  Isabella was a Spanish Habsburg archduchess who governed the Spanish Netherlands in the late 16th and early 17th centuries.
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: איזבל מלכת ישראל
Target entity description: איזבל מלכת ישראל הייתה מלכה ישראלית מתקופת בית עמרי, שנודעה בעיקר בשל עימותיה עם הנביא אליהו והכנסת פולחן הבעל לממלכת ישראל.

• A. Rainha Má
  Rainha Má is a popular Brazilian song by Daniela Mercury that helped solidify her status as a leading figure in axé music in the 1990s.
• B. Alice of Jerusalem
  Alice of Jerusalem was a 12th-century princess of the Kingdom of Jerusalem who became princess consort of Antioch and was known for her political ambitions and conflicts with her royal relatives.
• C. Izabel
  Izabel is a feminine given name, commonly used in various cultures as a variant of Isabel or Isabella.
• D. Isabella
  Isabella is a virtuous and resourceful young noblewoman in Horace Walpole’s Gothic novel "The Castle of Otranto," whose peril and resistance drive much of the story’s suspense and drama.
• E. Isabella
  Isabella was a Spanish Habsburg archduchess who governed the Spanish Netherlands in the late 16th and early 17th centuries.
• F. None of above. chosen