Locana commentary by Abhinavagupta
E499761
The Locana is Abhinavagupta’s influential Sanskrit commentary that offers a profound Kashmiri Shaiva aesthetic and philosophical interpretation of Ānandavardhana’s seminal work Dhvanyāloka on poetic suggestion (dhvani).
All labels observed (1)
| Label | Occurrences |
|---|---|
| Locana commentary by Abhinavagupta canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5181942 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Locana commentary by Abhinavagupta Context triple: [Dhvanyāloka, relatedWork, Locana commentary by Abhinavagupta]
-
A.
Ślokavārttika
Ślokavārttika is a foundational Sanskrit philosophical treatise of the Mīmāṃsā school, offering an extensive verse commentary and defense of Vedic ritualism and epistemology.
-
B.
Anubhashya
Anubhashya is a Sanskrit commentary on the Brahma Sutras composed by the Hindu philosopher Vallabhacharya, foundational to the Pushtimarg (Path of Grace) tradition.
-
C.
Sri Bhashya
Sri Bhashya is Ramanujacharya’s authoritative Sanskrit commentary on the Brahma Sutras, foundational to the Vishishtadvaita school of Vedanta philosophy.
-
D.
Tantrasāra
Tantrasāra is a key philosophical and theological treatise by the Kashmiri polymath Abhinavagupta that systematically presents the core doctrines of non-dual Shaiva Tantra.
-
E.
Mahābhāṣya Dīpikā
Mahābhāṣya Dīpikā is an influential Sanskrit grammatical commentary by the philosopher-linguist Bhartṛhari on Patañjali’s Mahābhāṣya.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Locana commentary by Abhinavagupta Target entity description: The Locana is Abhinavagupta’s influential Sanskrit commentary that offers a profound Kashmiri Shaiva aesthetic and philosophical interpretation of Ānandavardhana’s seminal work Dhvanyāloka on poetic suggestion (dhvani).
-
A.
Ślokavārttika
Ślokavārttika is a foundational Sanskrit philosophical treatise of the Mīmāṃsā school, offering an extensive verse commentary and defense of Vedic ritualism and epistemology.
-
B.
Anubhashya
Anubhashya is a Sanskrit commentary on the Brahma Sutras composed by the Hindu philosopher Vallabhacharya, foundational to the Pushtimarg (Path of Grace) tradition.
-
C.
Sri Bhashya
Sri Bhashya is Ramanujacharya’s authoritative Sanskrit commentary on the Brahma Sutras, foundational to the Vishishtadvaita school of Vedanta philosophy.
-
D.
Tantrasāra
Tantrasāra is a key philosophical and theological treatise by the Kashmiri polymath Abhinavagupta that systematically presents the core doctrines of non-dual Shaiva Tantra.
-
E.
Mahābhāṣya Dīpikā
Mahābhāṣya Dīpikā is an influential Sanskrit grammatical commentary by the philosopher-linguist Bhartṛhari on Patañjali’s Mahābhāṣya.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
Sanskrit commentary
ⓘ
aesthetic treatise ⓘ literary criticism work ⓘ |
| associatedWithPerson | Abhinavagupta NERFINISHED ⓘ |
| associatedWithWork | Dhvanyāloka NERFINISHED ⓘ |
| author | Abhinavagupta NERFINISHED ⓘ |
| basedOnConcept | dhvani (poetic suggestion) ⓘ |
| commentaryOn |
Dhvanyāloka
NERFINISHED
ⓘ
Ānandavardhana’s Dhvanyāloka NERFINISHED ⓘ |
| commentaryType |
aesthetic commentary
ⓘ
philosophical commentary ⓘ |
| discusses |
aesthetic experience (rasa) as a form of transcendence
ⓘ
relationship between dhvani and rasa ⓘ |
| field |
Indian philosophy of art
ⓘ
Sanskrit literary theory ⓘ |
| genre | commentary (ṭīkā) ⓘ |
| influencedBy |
Dhvanyāloka
NERFINISHED
ⓘ
Indian aesthetic theory ⓘ Kashmiri Śaiva philosophy NERFINISHED ⓘ Ānandavardhana NERFINISHED ⓘ |
| influenceOn |
Indian aesthetic theory
ⓘ
Kashmiri Śaiva aesthetics ⓘ later Sanskrit poetics ⓘ |
| language | Sanskrit ⓘ |
| period | c. 10th–11th century CE ⓘ |
| philosophicalOrientation | Kashmiri Śaiva aesthetics NERFINISHED ⓘ |
| philosophicalStance | non-dual (advaya) Śaivism applied to aesthetics ⓘ |
| preservedIn | Sanskrit manuscripts ⓘ |
| region | Kashmir NERFINISHED ⓘ |
| relatedConcept |
pratibhā (poetic intuition)
ⓘ
rasa (aesthetic relish) ⓘ vyañjanā (suggestion as a linguistic function) ⓘ |
| relatedTradition | Alankāraśāstra (Indian poetics) NERFINISHED ⓘ |
| role |
expands Dhvanyāloka’s theory of dhvani
ⓘ
integrates poetics with non-dual Śaiva metaphysics ⓘ |
| studiedIn |
Indology
ⓘ
comparative literature ⓘ religious studies ⓘ |
| subject |
Sanskrit poetics
ⓘ
aesthetics ⓘ poetic suggestion (dhvani) ⓘ rasa theory ⓘ |
| titleMeaning | “Locana” means “eye” or “vision” in Sanskrit ⓘ |
| tradition | Kashmiri Śaivism NERFINISHED ⓘ |
| workOf | Abhinavagupta’s corpus ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Locana commentary by Abhinavagupta Description of subject: The Locana is Abhinavagupta’s influential Sanskrit commentary that offers a profound Kashmiri Shaiva aesthetic and philosophical interpretation of Ānandavardhana’s seminal work Dhvanyāloka on poetic suggestion (dhvani).
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.