Alaṅkāraśāstra (Sanskrit poetics)

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Alaṅkāraśāstra (Sanskrit poetics) is the classical Indian theoretical tradition that systematically analyzes the nature, aesthetics, and techniques of literary expression in Sanskrit literature.

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Observed surface forms (1)

Surface form Occurrences
Alaṅkāraśāstra 0

Statements (51)

Predicate Object
instanceOf Sanskrit poetics tradition
aesthetic theory
branch of Sanskrit literary criticism
literary theory
analyzes aesthetics of literary expression
nature of literary expression
techniques of literary expression
associatedWith Abhinavagupta NERFINISHED
Bharata Muni NERFINISHED
Bhāmaha NERFINISHED
Daṇḍin NERFINISHED
Jagannātha Paṇḍitarāja NERFINISHED
Kuntaka NERFINISHED
Mammaṭa NERFINISHED
Vāmana NERFINISHED
Ānandavardhana NERFINISHED
centralConcept aucitya (propriety)
dhvani theory
rasa theory
vakrokti (oblique expression)
śabda-artha (word-meaning relation)
concerns classification of poetic genres
criteria of poetic excellence
developedIn classical India
fieldOfStudy Sanskrit literature
aesthetics
poetics
focusesOn alaṅkāra (ornament)
dhvani (suggestion)
doṣa (poetic faults)
figures of speech
guṇa (poetic qualities)
kāvya (poetry and ornate prose)
poetic language
rasa (aesthetic emotion)
rīti (style)
hasKeyText Dhvanyāloka NERFINISHED
Kāvyaprakāśa NERFINISHED
Kāvyādarśa (Daṇḍin) NERFINISHED
Kāvyālaṅkāra (Bhāmaha) NERFINISHED
Kāvyālaṅkārasūtra (Vāmana) NERFINISHED
Locana (Abhinavagupta’s commentary on Dhvanyāloka) NERFINISHED
Nāṭyaśāstra NERFINISHED
Rasagaṅgādhara NERFINISHED
Vakroktijīvita NERFINISHED
historicalPeriod classical Sanskrit period
influenced later Indian literary criticism
regional Indian poetics traditions
methodologicallyRelatedTo Mīmāṃsā NERFINISHED
Nyāya NERFINISHED
primaryLanguage Sanskrit

Referenced by (1)

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Abhinavabhāratī influenced Alaṅkāraśāstra (Sanskrit poetics)