Abhinavabhāratī

E114664

Abhinavabhāratī is an influential Sanskrit commentary on Bharata Muni’s Nāṭyaśāstra, renowned for its sophisticated aesthetic and philosophical analysis of Indian dramaturgy and rasa theory.

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Abhinavabhāratī canonical 1

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Statements (48)

Predicate Object
instanceOf Sanskrit commentary
aesthetic treatise
literary work
addresses ontology of aesthetic experience
relationship between text and performance
role of actor and spectator
structure of dramatic performance
author Abhinavagupta
centralConcept bhāva (emotion) and its transformation
rasa as aesthetic relish of universalized emotion
sādhāraṇīkaraṇa (universalization)
commentaryOn Nāṭyaśāstra
commentaryOnWorkOf Bharata Muni
field Indian aesthetics
dramaturgy
rasa theory
focusesOn aesthetic experience
dramatic theory
performance theory
poetics
rasa (aesthetic relish)
genre aesthetic treatise
śāstra commentary
influenced Alaṅkāraśāstra (Sanskrit poetics)
Indian theatre theory
later rasa theorists
integrates Śaiva metaphysics with aesthetics
knownFor influence on later Sanskrit poetics
philosophical interpretation of rasa
sophisticated aesthetic analysis
systematic exposition of Indian dramaturgy
language Sanskrit
partOfTradition Sanskrit śāstric literature
period c. 10th–11th century CE
philosophicalOrientation non-dual Kashmir Shaivism
placeAssociatedWith Kashmir
preservedIn manuscript tradition
regionOfInfluence South Asia
global scholarship on aesthetics
relatedWork Dhvanyāloka
surface form: Dhvanyāloka (by Ānandavardhana, often discussed by Abhinavagupta)
script Devanāgarī (in most modern editions)
studiedBy scholars of Sanskrit aesthetics
theatre theorists
survivesAs partially preserved text
tradition Kashmir Shaivism
usedIn Indological scholarship
study of Indian aesthetics and poetics
study of classical Indian theatre

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Full triples — surface form annotated when it differs from this entity's canonical label.

Abhinavagupta notableWork Abhinavabhāratī