Liebestod

E483268

Liebestod is the transcendent final aria from Richard Wagner’s opera "Tristan und Isolde," renowned for its intense expression of love and death and its groundbreaking harmonic language.

Try in SPARQL Jump to: Statements Referenced by

Statements (47)

Predicate Object
instanceOf aria
concert piece
opera excerpt
alternateDesignation Isoldes Liebestod NERFINISHED
Mild und leise, wie er lächelt NERFINISHED
associatedConcept Tristan chord NERFINISHED
basedOn Tristan und Isolde legend NERFINISHED
characterAssociated Isolde NERFINISHED
Tristan NERFINISHED
composer Richard Wagner NERFINISHED
composerNationality German
culturalSignificance influential in the development of musical modernism
milestone of 19th-century opera
emotionalCharacter ecstatic
tragic
transcendent
famousRecordingArtists Birgit Nilsson NERFINISHED
Jessye Norman NERFINISHED
Kirsten Flagstad NERFINISHED
Nina Stemme NERFINISHED
genre opera aria
harmonicInnovation delayed resolution
harmonicStyle chromatic
tonally ambiguous
language German
movementType final aria
opera Tristan und Isolde NERFINISHED
orchestration full Romantic orchestra
partOf Tristan und Isolde NERFINISHED
period Romantic era
positionInWork concluding scene
premiereConductor Hans von Bülow NERFINISHED
premiereCountry Germany NERFINISHED
premiereLocation Munich NERFINISHED
premiereOperaHouse Königliches Hof- und Nationaltheater, Munich NERFINISHED
sungBy Isolde NERFINISHED
textAuthor Richard Wagner NERFINISHED
theme death
erotic longing
love
transcendence
union in death
titleMeaning love-death
typicalPerformanceContext opera performance
orchestral concert arrangement
voiceType soprano
workNumberInComposerOutput part of Wagner’s mature music dramas

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.