Self-Portrait on an Easel
E458663
Self-Portrait on an Easel is a late 16th-century self-portrait painting by Italian Baroque artist Annibale Carracci, notable for its innovative depiction of the artist at work and its exploration of artistic identity.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Self-Portrait on an Easel canonical | 1 |
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
painting
ⓘ
self-portrait ⓘ |
| artForm | easel painting ⓘ |
| artHistoricalContext | transition from late Renaissance to early Baroque ⓘ |
| artisticSchool | Bolognese School NERFINISHED ⓘ |
| associatedWith | Annibale Carracci self-portraits ⓘ |
| countryOfOrigin | Italy ⓘ |
| creator | Annibale Carracci NERFINISHED ⓘ |
| culturalContext | Counter-Reformation art ⓘ |
| depicts |
Annibale Carracci
NERFINISHED
ⓘ
artist at work ⓘ easel ⓘ painting within a painting ⓘ |
| era | Italian Baroque NERFINISHED ⓘ |
| genre | self-portrait ⓘ |
| hasHistoricalSignificance |
contributes to elevation of the artist’s status in early modern Italy
ⓘ
early example of self-reflexive Baroque portraiture ⓘ |
| hasPerspective | reflexive view of the act of painting ⓘ |
| hasSubjectMatter |
construction of artistic persona
ⓘ
process of painting ⓘ |
| hasType | easel painting ⓘ |
| inception | circa 1590 ⓘ |
| influencedBy |
Renaissance self-portrait tradition
ⓘ
naturalism in Bolognese painting ⓘ |
| mainSubject |
artistic identity
ⓘ
self-representation ⓘ status of the artist ⓘ |
| movement | Baroque ⓘ |
| notableFor |
exploration of artistic identity
ⓘ
innovative depiction of the artist at work ⓘ meta-pictorial composition ⓘ |
| originalLanguageTitle | Italian ⓘ |
| partOf | Annibale Carracci oeuvre ⓘ |
| portrays | painter in the studio ⓘ |
| portraysRole |
Annibale Carracci as intellectual creator
ⓘ
Annibale Carracci as professional artist ⓘ |
| representationMode | naturalistic ⓘ |
| style | Italian Baroque NERFINISHED ⓘ |
| technique | oil painting ⓘ |
| theme |
artist’s social and intellectual role
ⓘ
self-conscious image-making ⓘ |
| timePeriod | late 16th century ⓘ |
| visualMotif |
artist looking at or engaging with the viewer
ⓘ
framed image inside the composition ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.