The Blind Man, No. 2 (1917)

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The Blind Man, No. 2 (1917) is a landmark Dada art journal issue best known for publishing and defending Marcel Duchamp’s controversial readymade sculpture Fountain.

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Full triples — surface form annotated when it differs from this entity's canonical label.

Fountain by Marcel Duchamp subjectOf The Blind Man, No. 2 (1917)
subject surface form: Fountain