The Blind Man, No. 2 (1917)

E372716

The Blind Man, No. 2 (1917) is a landmark Dada art journal issue best known for publishing and defending Marcel Duchamp’s controversial readymade sculpture Fountain.

All labels observed (2)

Label Occurrences
The Blind Man, No. 2 1
The Blind Man, No. 2 (1917) canonical 1

How this entity was disambiguated

Statements (39)

Predicate Object
instanceOf Dada publication
art journal issue
magazine issue
associatedArtist Marcel Duchamp
associatedWork Fountain
audience art-world insiders
avant-garde artists and writers
circulation limited
cityOfPublication New York City
controversy debate over the artistic status of Fountain
countryOfPublication United States of America
surface form: United States
format periodical
genre art criticism
avant-garde magazine
historicalContext New York Dada
World War I era avant-garde
influenced interpretations of Duchamp’s readymades
later discourse on conceptual art
issueNumber 2
knownFor being a landmark Dada art journal issue
defending Marcel Duchamp’s Fountain
publishing Marcel Duchamp’s Fountain
language English
medium print
movement Dada
movementRole key document of New York Dada
notableContribution early defense of the readymade concept
shaping reception of Duchamp’s Fountain
publicationType little magazine
publicationYear 1917
publisher The Blind Man
series The Blind Man
status historically significant Dada document
subject art institutions and juries
conceptual art precursors
readymade art
theme challenge to traditional definitions of art
critique of art juries and exhibitions
title The Blind Man, No. 2 (1917) self-linksurface differs
surface form: The Blind Man, No. 2

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Fountain by Marcel Duchamp subjectOf The Blind Man, No. 2 (1917)
subject surface form: Fountain
The Blind Man, No. 2 (1917) title The Blind Man, No. 2 (1917) self-linksurface differs
this entity surface form: The Blind Man, No. 2