The Blind Man (Dada journal)

E372715

The Blind Man was a short-lived New York Dada journal (1917) associated with Marcel Duchamp and his circle, known for championing avant-garde art and defending Duchamp’s controversial readymade Fountain.

All labels observed (1)

Label Occurrences
The Blind Man (Dada journal) canonical 2

How this entity was disambiguated

Statements (37)

Predicate Object
instanceOf Dada journal
art magazine
avant-garde periodical
aim to challenge traditional definitions of art
to promote Dada in the United States
artisticStance anti-academic art
associatedWith Marcel Duchamp
New York Dada
cityOfPublication New York City
contributorCircle New York avant-garde artists
countryOfPublication United States of America
surface form: United States
defendedWork Fountain by Marcel Duchamp
surface form: Fountain (readymade)
editor Beatrice Wood
Henri-Pierre Roché NERFINISHED
Marcel Duchamp
firstIssueYear 1917
focus Dadaist ideas
avant-garde art
genre art criticism
literary magazine
hasISSNStatus historical periodical (pre-standard ISSN era)
hasIssueCount 2
historicalContext World War I
surface form: World War I era
language English
lastIssueYear 1917
medium print
movement Dada
notableFor championing avant-garde art in New York
defending Marcel Duchamp’s readymade Fountain
publishing texts related to the 1917 Society of Independent Artists exhibition
politicalStance anti-establishment in art
publicationStatus short-lived
publicationYearEnd 1917
publicationYearStart 1917
publisherRole platform for New York Dada circle
relatedToEvent Society of Independent Artists exhibition (1917)
surface form: 1917 Society of Independent Artists exhibition
successor Rongwrong (Dada journal)

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Fountain by Marcel Duchamp publisher The Blind Man (Dada journal)
subject surface form: Fountain
Fountain discussedIn The Blind Man (Dada journal)