Society of Independent Artists exhibition (1917)
E1128448
UNEXPLORED
The Society of Independent Artists exhibition (1917) was a landmark New York art show known for its radical open-submission policy and for controversially rejecting Marcel Duchamp’s submitted urinal artwork, later titled "Fountain."
All labels observed (2)
| Label | Occurrences |
|---|---|
| 1917 Society of Independent Artists exhibition | 1 |
| Society of Independent Artists exhibition (1917) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T14947950 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Society of Independent Artists exhibition (1917) Context triple: [R. Mutt 1917, exhibitedAt, Society of Independent Artists exhibition (1917)]
-
A.
Exhibition of International Art (1906)
Exhibition of International Art (1906) was a notable early 20th-century international art exhibition held at London’s Grafton Galleries, showcasing modern and contemporary works from various countries.
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B.
1912 Salon d'Automne
The 1912 Salon d'Automne was a landmark Paris art exhibition renowned for showcasing groundbreaking Cubist works and intensifying debates over modernism in early 20th-century art.
-
C.
Armory Show
The Armory Show was a groundbreaking 1913 modern art exhibition in New York that introduced American audiences to European avant-garde movements such as Cubism and Fauvism, radically transforming the course of American art.
-
D.
1911 Salon d’Automne
The 1911 Salon d’Automne was a landmark Paris art exhibition that brought Cubism to broad public attention and sparked intense critical controversy over the movement’s radical break with traditional representation.
-
E.
1912 Salon de la Section d'Or
The 1912 Salon de la Section d'Or was a landmark Paris exhibition that showcased the leading Cubist and avant-garde artists of the time, helping to define and popularize Cubism in early 20th-century art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Society of Independent Artists exhibition (1917) Target entity description: The Society of Independent Artists exhibition (1917) was a landmark New York art show known for its radical open-submission policy and for controversially rejecting Marcel Duchamp’s submitted urinal artwork, later titled "Fountain."
-
A.
Exhibition of International Art (1906)
Exhibition of International Art (1906) was a notable early 20th-century international art exhibition held at London’s Grafton Galleries, showcasing modern and contemporary works from various countries.
-
B.
1912 Salon d'Automne
The 1912 Salon d'Automne was a landmark Paris art exhibition renowned for showcasing groundbreaking Cubist works and intensifying debates over modernism in early 20th-century art.
-
C.
Armory Show
The Armory Show was a groundbreaking 1913 modern art exhibition in New York that introduced American audiences to European avant-garde movements such as Cubism and Fauvism, radically transforming the course of American art.
-
D.
1911 Salon d’Automne
The 1911 Salon d’Automne was a landmark Paris art exhibition that brought Cubism to broad public attention and sparked intense critical controversy over the movement’s radical break with traditional representation.
-
E.
1912 Salon de la Section d'Or
The 1912 Salon de la Section d'Or was a landmark Paris exhibition that showcased the leading Cubist and avant-garde artists of the time, helping to define and popularize Cubism in early 20th-century art.
- F. None of above. chosen
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
The Blind Man
this entity surface form:
1917 Society of Independent Artists exhibition