New Queer Cinema
E320202
New Queer Cinema is a film movement that emerged in the late 1980s and early 1990s, characterized by its radical, independent, and unapologetically queer narratives that challenged mainstream representations of sexuality and identity.
All labels observed (1)
| Label | Occurrences |
|---|---|
| New Queer Cinema canonical | 6 |
Statements (54)
| Predicate | Object |
|---|---|
| instanceOf |
film movement
ⓘ
queer cinema movement ⓘ |
| challenges |
heteronormativity
ⓘ
mainstream representations of sexuality ⓘ respectability politics ⓘ traditional narrative structures ⓘ |
| coinedBy | B. Ruby Rich ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| emergedInPeriod |
early 1990s
ⓘ
late 1980s ⓘ |
| focusesOn |
gender nonconformity
ⓘ
marginalized queer communities ⓘ non-normative sexuality ⓘ queer identity ⓘ |
| hasCharacteristic |
anti-assimilationist
ⓘ
formally experimental ⓘ independent ⓘ low-budget ⓘ politically engaged ⓘ radical ⓘ transgressive ⓘ unapologetically queer ⓘ |
| hasLegacy |
expanded representation of LGBTQ+ characters in film
ⓘ
influenced 21st-century queer media ⓘ |
| hasNotableDirector |
Derek Jarman
ⓘ
Gregg Araki ⓘ Gus Van Sant ⓘ Isaac Julien ⓘ Todd Haynes ⓘ Tom Kalin ⓘ |
| hasNotableFilm |
Edward II of England
ⓘ
surface form:
Edward II
My Own Private Idaho ⓘ Poison ⓘ Swoon ⓘ The Hours and Times ⓘ Hoodoo Gurus ⓘ
surface form:
The Living End
Young Soul Rebels ⓘ |
| influencedBy |
AIDS crisis
ⓘ
LGBT rights movement ⓘ feminist film theory ⓘ independent cinema ⓘ postmodernism ⓘ underground cinema ⓘ |
| relatedTo |
LGBT cinema
ⓘ
queer theory ⓘ
surface form:
Queer theory
independent film ⓘ |
| termFirstUsedIn |
1992
ⓘ
Sight & Sound magazine ⓘ
surface form:
Sight & Sound article
|
| uses |
camp aesthetics
ⓘ
explicit depictions of queer desire ⓘ genre subversion ⓘ intertextual references ⓘ irony ⓘ non-linear storytelling ⓘ |
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.