Portraits of Queen Elizabeth I

E313428

Portraits of Queen Elizabeth I are a celebrated series of Tudor-era paintings depicting the long-reigning English monarch in highly symbolic and stylized form, emphasizing her power, purity, and political authority.

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All labels observed (6)

Statements (73)

Predicate Object
instanceOf cultural depiction
iconography of monarchs
portrait series
artMovement Tudor art
associatedWith Elizabethan propaganda
“Cult of Gloriana”
commissionedBy Elizabeth I of England
Tudor court
country Kingdom of England
depicts Elizabeth I of England
depictsSymbol chastity
crown
divine right of kings
ermine
fertility of the realm
imperial globe
imperial power
maritime power
pearls
pelican in her piety
phoenix
political authority
purity
rainbow
sceptre
sieve
virginity
wisdom
endTime early 17th century
genre portrait painting
hasCharacteristic highly stylized
idealized likeness
limited aging of the sitter
symbol-laden
hasPart Armada Portrait
Bodleian Library version of the Rainbow Portrait
Hampden Portrait
surface form: Clopton Portrait

Portraits of Queen Elizabeth I self-linksurface differs
surface form: Coronation Portrait of Elizabeth I

Darnley Portrait
Ermine Portrait
Hampden Portrait
Portraits of Queen Elizabeth I self-linksurface differs
surface form: Hardwick Hall portraits of Elizabeth I

Portraits of Queen Elizabeth I self-linksurface differs
surface form: National Portrait Gallery version of the Armada Portrait

Pelican Portrait
Phoenix Portrait
Portraits of Queen Elizabeth I self-linksurface differs
surface form: Queen’s House version of the Armada Portrait

Rainbow Portrait
Sieve Portrait
Portraits of Queen Elizabeth I self-linksurface differs
surface form: Woburn Abbey version of the Armada Portrait

“Armada” portrait type
“Darnley” portrait type
“Ermine” portrait type
“Mask of Youth” portrait type
“Pelican” portrait type
“Phoenix” portrait type
“Rainbow” portrait type
“Sieve” portrait type
influenced later royal portraiture in Britain
visual culture of the “Virgin Queen” myth
influencedBy Renaissance court portraiture
languageOfWork visual language
locationOfCreation London, England
surface form: London
mainSubject Elizabeth I of England
notableWorkOf English Renaissance portraiture
regulates use of the queen’s face pattern
significantArtist George Gower
Marcus Gheeraerts the Younger
Nicholas Hilliard
unknown Tudor court painters
startTime 16th century
usedFor dynastic legitimacy
projection of royal image
royal propaganda

Referenced by (6)

Full triples — surface form annotated when it differs from this entity's canonical label.

National Portrait Gallery hasNotableWork Portraits of Queen Elizabeth I
Portraits of Queen Elizabeth I hasPart Portraits of Queen Elizabeth I self-linksurface differs
this entity surface form: Coronation Portrait of Elizabeth I
Portraits of Queen Elizabeth I hasPart Portraits of Queen Elizabeth I self-linksurface differs
this entity surface form: Woburn Abbey version of the Armada Portrait
Portraits of Queen Elizabeth I hasPart Portraits of Queen Elizabeth I self-linksurface differs
this entity surface form: National Portrait Gallery version of the Armada Portrait
Portraits of Queen Elizabeth I hasPart Portraits of Queen Elizabeth I self-linksurface differs
this entity surface form: Queen’s House version of the Armada Portrait
Portraits of Queen Elizabeth I hasPart Portraits of Queen Elizabeth I self-linksurface differs
this entity surface form: Hardwick Hall portraits of Elizabeth I