Portraits of Queen Elizabeth I
E313428
Portraits of Queen Elizabeth I are a celebrated series of Tudor-era paintings depicting the long-reigning English monarch in highly symbolic and stylized form, emphasizing her power, purity, and political authority.
All labels observed (6)
Statements (73)
| Predicate | Object |
|---|---|
| instanceOf |
cultural depiction
ⓘ
iconography of monarchs ⓘ portrait series ⓘ |
| artMovement | Tudor art ⓘ |
| associatedWith |
Elizabethan propaganda
ⓘ
“Cult of Gloriana” ⓘ |
| commissionedBy |
Elizabeth I of England
ⓘ
Tudor court ⓘ |
| country | Kingdom of England ⓘ |
| depicts | Elizabeth I of England ⓘ |
| depictsSymbol |
chastity
ⓘ
crown ⓘ divine right of kings ⓘ ermine ⓘ fertility of the realm ⓘ imperial globe ⓘ imperial power ⓘ maritime power ⓘ pearls ⓘ pelican in her piety ⓘ phoenix ⓘ political authority ⓘ purity ⓘ rainbow ⓘ sceptre ⓘ sieve ⓘ virginity ⓘ wisdom ⓘ |
| endTime | early 17th century ⓘ |
| genre | portrait painting ⓘ |
| hasCharacteristic |
highly stylized
ⓘ
idealized likeness ⓘ limited aging of the sitter ⓘ symbol-laden ⓘ |
| hasPart |
Armada Portrait
ⓘ
Bodleian Library version of the Rainbow Portrait ⓘ Hampden Portrait ⓘ
surface form:
Clopton Portrait
Portraits of Queen Elizabeth I self-linksurface differs ⓘ
surface form:
Coronation Portrait of Elizabeth I
Darnley Portrait ⓘ Ermine Portrait ⓘ Hampden Portrait ⓘ Portraits of Queen Elizabeth I self-linksurface differs ⓘ
surface form:
Hardwick Hall portraits of Elizabeth I
Portraits of Queen Elizabeth I self-linksurface differs ⓘ
surface form:
National Portrait Gallery version of the Armada Portrait
Pelican Portrait ⓘ Phoenix Portrait ⓘ Portraits of Queen Elizabeth I self-linksurface differs ⓘ
surface form:
Queen’s House version of the Armada Portrait
Rainbow Portrait ⓘ Sieve Portrait ⓘ Portraits of Queen Elizabeth I self-linksurface differs ⓘ
surface form:
Woburn Abbey version of the Armada Portrait
“Armada” portrait type ⓘ “Darnley” portrait type ⓘ “Ermine” portrait type ⓘ “Mask of Youth” portrait type ⓘ “Pelican” portrait type ⓘ “Phoenix” portrait type ⓘ “Rainbow” portrait type ⓘ “Sieve” portrait type ⓘ |
| influenced |
later royal portraiture in Britain
ⓘ
visual culture of the “Virgin Queen” myth ⓘ |
| influencedBy | Renaissance court portraiture ⓘ |
| languageOfWork | visual language ⓘ |
| locationOfCreation |
London, England
ⓘ
surface form:
London
|
| mainSubject | Elizabeth I of England ⓘ |
| notableWorkOf | English Renaissance portraiture ⓘ |
| regulates | use of the queen’s face pattern ⓘ |
| significantArtist |
George Gower
ⓘ
Marcus Gheeraerts the Younger ⓘ Nicholas Hilliard ⓘ unknown Tudor court painters ⓘ |
| startTime | 16th century ⓘ |
| usedFor |
dynastic legitimacy
ⓘ
projection of royal image ⓘ royal propaganda ⓘ |
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.
Portraits of Queen Elizabeth I
→
hasPart
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Portraits of Queen Elizabeth I
self-linksurface differs
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this entity surface form:
Coronation Portrait of Elizabeth I
Portraits of Queen Elizabeth I
→
hasPart
→
Portraits of Queen Elizabeth I
self-linksurface differs
ⓘ
this entity surface form:
Woburn Abbey version of the Armada Portrait
Portraits of Queen Elizabeth I
→
hasPart
→
Portraits of Queen Elizabeth I
self-linksurface differs
ⓘ
this entity surface form:
National Portrait Gallery version of the Armada Portrait
Portraits of Queen Elizabeth I
→
hasPart
→
Portraits of Queen Elizabeth I
self-linksurface differs
ⓘ
this entity surface form:
Queen’s House version of the Armada Portrait
Portraits of Queen Elizabeth I
→
hasPart
→
Portraits of Queen Elizabeth I
self-linksurface differs
ⓘ
this entity surface form:
Hardwick Hall portraits of Elizabeth I