After Lorca
E309653
After Lorca is a 1957 poetry collection by Jack Spicer that blends verse, prose, and fictional letters to Federico García Lorca, and is considered a key experimental work of the San Francisco Renaissance.
All labels observed (1)
| Label | Occurrences |
|---|---|
| After Lorca canonical | 2 |
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
poetry collection ⓘ |
| associatedWith |
American avant-garde poetry
ⓘ
small-press poetry culture ⓘ |
| author | Jack Spicer ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReception | considered a key experimental work of the San Francisco Renaissance ⓘ |
| dedicatedTo | Federico García Lorca ⓘ |
| form |
epistolary elements
ⓘ
prose ⓘ verse ⓘ |
| genre |
experimental literature
ⓘ
poetry ⓘ |
| hasAuthorRole | Jack Spicer as central poetic persona ⓘ |
| hasCanonicalStatus | cult classic in American poetry ⓘ |
| hasComponent |
letters
ⓘ
poems ⓘ prose pieces ⓘ |
| hasInfluenceOn | later experimental American poets ⓘ |
| hasSubject |
literary influence
ⓘ
poetry itself ⓘ translation as creation ⓘ |
| hasTitleLanguage | English ⓘ |
| influencedBy | Federico García Lorca ⓘ |
| intertextualRelation | dialogue with the works of Federico García Lorca ⓘ |
| language | English ⓘ |
| literaryMovement | San Francisco Renaissance ⓘ |
| literaryPeriod | 20th-century American poetry ⓘ |
| literarySignificance | early example of postmodern American poetry techniques ⓘ |
| medium | book ⓘ |
| movementContext |
San Francisco Renaissance
ⓘ
surface form:
San Francisco Renaissance poetry
|
| narrativeDevice | fictional correspondence with Federico García Lorca ⓘ |
| notableFeature | includes fictional letters to Federico García Lorca ⓘ |
| originalPublicationFormat | print ⓘ |
| publicationYear | 1957 ⓘ |
| regionAssociatedWithAuthor | San Francisco ⓘ |
| style |
experimental
ⓘ
lyric ⓘ surrealist-influenced ⓘ |
| theme |
poetics
ⓘ
the relationship between the living and the dead ⓘ translation ⓘ voice and authorship ⓘ |
| timePeriodOfComposition | 1950s ⓘ |
| usesTechnique |
hybrid prose-poetry form
ⓘ
metapoetic commentary ⓘ pseudo-translation ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.