law of simultaneous contrast of colors

E306700

The law of simultaneous contrast of colors is a principle in color theory stating that the perception of a color is strongly influenced by adjacent colors, often causing shifts in hue, brightness, or intensity.

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Predicate Object
instanceOf color theory principle
perceptual phenomenon
alsoKnownAs law of simultaneous contrast of colors
surface form: law of simultaneous contrast

law of simultaneous contrast of colors
surface form: simultaneous contrast
appliesTo color constancy phenomena
hue perception
lightness perception
saturation perception
basedOn lateral inhibition in retinal processing
spatial interactions in the visual system
coreIdea a color tends to shift away from the hue of its surround
a color’s perceived brightness is affected by the brightness of adjacent areas
a color’s perceived saturation is affected by the saturation of adjacent colors
describes changes in perceived brightness due to neighboring colors
changes in perceived hue due to neighboring colors
changes in perceived saturation due to neighboring colors
context-dependent color perception
influence of adjacent colors on perceived color
documentedIn law of simultaneous contrast of colors self-linksurface differs
surface form: De la loi du contraste simultané des couleurs

law of simultaneous contrast of colors self-linksurface differs
surface form: The Principles of Harmony and Contrast of Colors
field color theory
visual perception
formulatedInContextOf dyeing and tapestry work at the Gobelins Manufactory
hasExample a color surrounded by its complementary appears more vivid
a gray patch appears lighter on a dark background than on a light background
a neutral gray near a saturated color appears tinted with the complementary hue
two identical colors appear different when placed on different colored backgrounds
historicallyFormulatedBy Michel Eugène Chevreul
influenced Impressionist painters
Post-Impressionism
surface form: Post-Impressionist painters

color usage in modern art
influences choice of background colors in design
color harmony strategies
legibility of colored text
perceived size and weight of colored objects
relatedTo color constancy
simultaneous brightness contrast
simultaneous hue contrast
successive contrast
relevantTo color appearance models
human–computer interaction
visual display design
timePeriodOfFormulation 19th century
usedIn color calibration
graphic design
industrial design
painting
user interface design
visual arts education
visual ergonomics

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Referenced by (6)

Full triples — surface form annotated when it differs from this entity's canonical label.

Michel Eugène Chevreul knownFor law of simultaneous contrast of colors
Sonia Delaunay notableWork law of simultaneous contrast of colors
this entity surface form: Simultaneous Contrasts
law of simultaneous contrast of colors alsoKnownAs law of simultaneous contrast of colors
this entity surface form: simultaneous contrast
law of simultaneous contrast of colors alsoKnownAs law of simultaneous contrast of colors
this entity surface form: law of simultaneous contrast
law of simultaneous contrast of colors documentedIn law of simultaneous contrast of colors self-linksurface differs
this entity surface form: De la loi du contraste simultané des couleurs
law of simultaneous contrast of colors documentedIn law of simultaneous contrast of colors self-linksurface differs
this entity surface form: The Principles of Harmony and Contrast of Colors