Suite for Piano, Op. 25
E302921
Suite for Piano, Op. 25 is a landmark solo piano composition by Arnold Schoenberg that is among the first works to fully employ his twelve-tone technique.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Suite for Piano, Op. 25 canonical | 1 |
Statements (39)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
piano composition ⓘ twelve-tone composition ⓘ |
| associatedWith | Arnold Schoenberg’s mature twelve-tone period ⓘ |
| basedOn | Baroque dance-suite forms ⓘ |
| belongsTo | Second Viennese School repertoire ⓘ |
| catalogueNumber | Op. 25 ⓘ |
| composer | Arnold Schoenberg ⓘ |
| composerNationality | Austrian ⓘ |
| compositionalMethod | serialism ⓘ |
| dedicatedTo | Ernst Krenek ⓘ |
| genre | suite ⓘ |
| hasForm | suite in Baroque-style movements ⓘ |
| hasInstrumentation | piano solo ⓘ |
| historicalSignificance | among first compositions to systematically apply twelve-tone method ⓘ |
| influenced | later twelve-tone piano works ⓘ |
| isAmong | first fully twelve-tone works by Arnold Schoenberg ⓘ |
| key | atonal ⓘ |
| languageOfMovementTitles | German ⓘ |
| movement |
Gavotte
ⓘ
Gigue ⓘ Intermezzo ⓘ Menuett ⓘ Musette ⓘ Präludium ⓘ Trio ⓘ |
| notableFor |
being a key early example of Schoenberg’s dodecaphonic method
ⓘ
integration of Baroque dance forms with twelve-tone technique ⓘ |
| numberOfMovements | 6 ⓘ |
| opusNumber | Op. 25 ⓘ |
| partOf | Schoenberg piano repertoire ⓘ |
| period | 20th-century classical music ⓘ |
| premiereStatus | landmark of early twelve-tone repertoire ⓘ |
| scoredFor | solo piano ⓘ |
| style |
expressionist
ⓘ
serial ⓘ |
| usesRow | single basic twelve-tone row ⓘ |
| usesTechnique |
dodecaphony
ⓘ
twelve-tone technique ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.