String Quartet No. 15 in A minor, Op. 132
E285933
String Quartet No. 15 in A minor, Op. 132 is one of Ludwig van Beethoven’s late string quartets, renowned for its profound emotional depth and innovative structure.
All labels observed (3)
| Label | Occurrences |
|---|---|
| String Quartet No. 15 in A minor, Op. 132 canonical | 3 |
| Beethoven’s String Quartet No. 15 in A minor, Op. 132 | 1 |
| Streichquartett Nr. 15 a-Moll, Op. 132 | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2577484 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: String Quartet No. 15 in A minor, Op. 132 Context triple: [String Quartet No. 14 in C-sharp minor, Op. 131, followedByWork, String Quartet No. 15 in A minor, Op. 132]
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A.
String Quartet No. 14 in C-sharp minor, Op. 131
String Quartet No. 14 in C-sharp minor, Op. 131 is one of Beethoven’s late string quartets, renowned for its innovative seven-movement structure and profound emotional depth.
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B.
String Quartet No. 13 in B-flat major, Op. 130
String Quartet No. 13 in B-flat major, Op. 130 is one of Beethoven’s late string quartets, renowned for its innovative structure, emotional depth, and originally including the monumental "Grosse Fuge" as its final movement.
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C.
String Quartet in G minor, Op. 10
String Quartet in G minor, Op. 10 is Claude Debussy’s only string quartet and a landmark work of French impressionist chamber music.
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D.
String Quartet in F major
String Quartet in F major is a celebrated chamber work by Maurice Ravel, admired for its luminous textures, refined harmonies, and innovative yet classical approach to the string quartet form.
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E.
String Quartet No. 14 in D minor "Death and the Maiden"
String Quartet No. 14 in D minor "Death and the Maiden" is one of Franz Schubert’s most celebrated and dramatic chamber works, renowned for its intense emotional contrasts and its use of material from his earlier song of the same name.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: String Quartet No. 15 in A minor, Op. 132 Target entity description: String Quartet No. 15 in A minor, Op. 132 is one of Ludwig van Beethoven’s late string quartets, renowned for its profound emotional depth and innovative structure.
-
A.
String Quartet No. 14 in C-sharp minor, Op. 131
String Quartet No. 14 in C-sharp minor, Op. 131 is one of Beethoven’s late string quartets, renowned for its innovative seven-movement structure and profound emotional depth.
-
B.
String Quartet No. 13 in B-flat major, Op. 130
String Quartet No. 13 in B-flat major, Op. 130 is one of Beethoven’s late string quartets, renowned for its innovative structure, emotional depth, and originally including the monumental "Grosse Fuge" as its final movement.
-
C.
String Quartet in G minor, Op. 10
String Quartet in G minor, Op. 10 is Claude Debussy’s only string quartet and a landmark work of French impressionist chamber music.
-
D.
String Quartet in F major
String Quartet in F major is a celebrated chamber work by Maurice Ravel, admired for its luminous textures, refined harmonies, and innovative yet classical approach to the string quartet form.
-
E.
String Quartet No. 14 in D minor "Death and the Maiden"
String Quartet No. 14 in D minor "Death and the Maiden" is one of Franz Schubert’s most celebrated and dramatic chamber works, renowned for its intense emotional contrasts and its use of material from his earlier song of the same name.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
chamber music composition
ⓘ
string quartet ⓘ |
| approximateDuration | 40–45 minutes ⓘ |
| associatedWith | Beethoven’s reflections on convalescence and gratitude ⓘ |
| catalogueNumber | Op. 132 ⓘ |
| composer | Ludwig van Beethoven ⓘ |
| compositionPeriod | late period of Beethoven ⓘ |
| countryOfOrigin | Austria ⓘ |
| decadeComposed | 1820s ⓘ |
| dedicatedTo | Nikolaus Zmeskall ⓘ |
| followedBy | String Quartet No. 16 in F major, Op. 135 ⓘ |
| follows | String Quartet No. 14 in C-sharp minor, Op. 131 ⓘ |
| genre |
chamber music
ⓘ
classical music ⓘ |
| historicalContext | composed after Beethoven’s serious illness in 1825 ⓘ |
| influenced |
19th-century string quartet repertoire
ⓘ
20th-century string quartet composers ⓘ |
| key | A minor ⓘ |
| languageOfTitle | German ⓘ |
| movement |
Alla marcia, assai vivace – Più allegro
ⓘ
Allegro appassionato ⓘ Allegro ma non tanto ⓘ Assai sostenuto – Allegro ⓘ Molto adagio – Andante (Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart) ⓘ |
| movementCount | 5 ⓘ |
| notableFeature |
cyclical thematic relationships
ⓘ
innovative five-movement structure ⓘ profound emotional depth ⓘ use of Lydian mode in the slow movement ⓘ |
| notableMovement |
Molto adagio – Andante (Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart)
ⓘ
surface form:
Molto adagio – Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart
|
| numberInSeries | 15 ⓘ |
| opusNumber | Op. 132 ⓘ |
| originalTitle |
String Quartet No. 15 in A minor, Op. 132
self-linksurface differs
ⓘ
surface form:
Streichquartett Nr. 15 a-Moll, Op. 132
|
| partOf |
Beethoven string quartets
ⓘ
surface form:
Beethoven late string quartets
|
| periodOfComposer | Beethoven late period ⓘ |
| placeOfComposition | Vienna ⓘ |
| publisher | Matthäus Artaria ⓘ |
| scoredFor |
cello
ⓘ
two violins ⓘ viola ⓘ |
| stylePeriod |
Romantic-era precursor
ⓘ
late Classical ⓘ |
| tonalCenterFinalMovement | A minor ⓘ |
| tonalCenterFirstMovement | A minor ⓘ |
| usesCounterpoint | yes ⓘ |
| usesFugato | yes ⓘ |
| workTitleElement | Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart ⓘ |
| yearComposed | 1825 ⓘ |
How these facts were elicited
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Subject: String Quartet No. 15 in A minor, Op. 132 Description of subject: String Quartet No. 15 in A minor, Op. 132 is one of Ludwig van Beethoven’s late string quartets, renowned for its profound emotional depth and innovative structure.
Referenced by (5)
Full triples — surface form annotated when it differs from this entity's canonical label.