Number 11, 1952
E279357
Number 11, 1952 is a major abstract expressionist painting by Jackson Pollock, renowned for its dynamic drip technique and later popularly titled "Blue Poles."
All labels observed (1)
| Label | Occurrences |
|---|---|
| Number 11, 1952 canonical | 4 |
How this entity was disambiguated
This entity first appeared as the object of triple T2591467 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Number 11, 1952 Context triple: [Blue Poles (Number 11, 1952), alsoKnownAs, Number 11, 1952]
-
A.
No. 5, 1948
No. 5, 1948 is a famous abstract drip painting by Jackson Pollock, emblematic of his influential action painting style and the Abstract Expressionist movement.
-
B.
No. 5/No. 22
No. 5/No. 22 is a large abstract expressionist painting by Mark Rothko, characterized by its luminous rectangular fields of color that exemplify his signature color field style.
-
C.
#11S
#11S is a Catalan hashtag commonly used to refer to the National Day of Catalonia on September 11, especially in the context of pro-independence demonstrations and political events.
-
D.
M1152
The M1152 is an expanded-capacity, cargo and troop-carrying variant of the Humvee military vehicle designed for increased payload and versatility.
-
E.
Number 10
Number 10 is the official residence and executive office of the Prime Minister of the United Kingdom, located at 10 Downing Street in London.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Number 11, 1952 Target entity description: Number 11, 1952 is a major abstract expressionist painting by Jackson Pollock, renowned for its dynamic drip technique and later popularly titled "Blue Poles."
-
A.
No. 5, 1948
No. 5, 1948 is a famous abstract drip painting by Jackson Pollock, emblematic of his influential action painting style and the Abstract Expressionist movement.
-
B.
No. 5/No. 22
No. 5/No. 22 is a large abstract expressionist painting by Mark Rothko, characterized by its luminous rectangular fields of color that exemplify his signature color field style.
-
C.
#11S
#11S is a Catalan hashtag commonly used to refer to the National Day of Catalonia on September 11, especially in the context of pro-independence demonstrations and political events.
-
D.
M1152
The M1152 is an expanded-capacity, cargo and troop-carrying variant of the Humvee military vehicle designed for increased payload and versatility.
-
E.
Number 10
Number 10 is the official residence and executive office of the Prime Minister of the United Kingdom, located at 10 Downing Street in London.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
abstract expressionist painting
ⓘ
painting ⓘ |
| acquisitionBy | National Gallery of Australia ⓘ |
| alsoKnownAs | Blue Poles ⓘ |
| artForm | painting ⓘ |
| artHistoricalContext | post–World War II American art ⓘ |
| artworkSurface | canvas ⓘ |
| associatedWith |
New York art scene of the 1950s
ⓘ
Action painting ⓘ
surface form:
action painting movement
|
| catalogueReason | originally catalogued by number and year ⓘ |
| collection |
National Gallery of Australia
ⓘ
surface form:
National Gallery of Australia collection
|
| colorDominant | blue ⓘ |
| countryOfCollection | Australia ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Jackson Pollock ⓘ |
| creatorNationality | American ⓘ |
| depicts | non-figurative abstract forms ⓘ |
| describedAs |
iconic example of drip technique
ⓘ
major work of Jackson Pollock ⓘ |
| genre | abstract art ⓘ |
| hasInfluenceOn | perception of American abstract expressionism in Australia ⓘ |
| hasPart | blue vertical poles motif ⓘ |
| hasType | large-scale canvas ⓘ |
| inception | 1952 ⓘ |
| languageOfTitle | English ⓘ |
| laterTitle | Blue Poles ⓘ |
| location | National Gallery of Australia ⓘ |
| materialUsed |
aluminium paint
ⓘ
canvas ⓘ enamel paint ⓘ oil paint ⓘ |
| movement | Abstract expressionism ⓘ |
| movementAssociatedWith | New York School ⓘ |
| notableFor |
complex layered composition
ⓘ
controversial acquisition cost in Australia ⓘ dynamic drip technique ⓘ |
| owner | National Gallery of Australia ⓘ |
| paintingTechnique |
action painting
ⓘ
drip painting ⓘ |
| partOf |
Jackson Pollock
ⓘ
surface form:
Jackson Pollock oeuvre
|
| popularTitle | Blue Poles ⓘ |
| significance | landmark of Abstract Expressionism ⓘ |
| style | gestural abstraction ⓘ |
| subjectHeading | Abstract expressionism—United States—20th century ⓘ |
| title | Number 11, 1952 self-link ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Number 11, 1952 Description of subject: Number 11, 1952 is a major abstract expressionist painting by Jackson Pollock, renowned for its dynamic drip technique and later popularly titled "Blue Poles."
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Blue Poles (Number 11, 1952)