A Bar at the Folies-Bergère
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A Bar at the Folies-Bergère is an 1882 oil painting by Édouard Manet that famously depicts a barmaid before a mirror in a bustling Parisian café-concert, noted for its complex play of reflection and modern urban subject matter.
All labels observed (1)
| Label | Occurrences |
|---|---|
| A Bar at the Folies-Bergère canonical | 4 |
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
oil painting
ⓘ
painting ⓘ |
| artist | Édouard Manet ⓘ |
| artworkSurface | canvas ⓘ |
| basedOn | Folies Bergère ⓘ |
| collection |
Courtauld Gallery
ⓘ
surface form:
The Courtauld, London
|
| countryOfOrigin | France ⓘ |
| creator | Édouard Manet ⓘ |
| depicts |
Folies Bergère
ⓘ
Parisian nightlife ⓘ barmaid ⓘ bottles ⓘ crowd ⓘ male customer ⓘ mirror ⓘ modern urban life ⓘ oranges ⓘ spectators ⓘ trapeze artist ⓘ |
| describedBySource | art historical literature ⓘ |
| exhibitedAt | Paris Salon of 1882 ⓘ |
| genre | genre painting ⓘ |
| hasPart |
beer bottles
ⓘ
bottles of champagne ⓘ bowl of oranges ⓘ cherry blossoms in vase ⓘ liqueur bottles ⓘ marble bar counter ⓘ mirror reflection ⓘ |
| inception | 1882 ⓘ |
| influencedBy | modern Parisian culture ⓘ |
| languageOfWork | none ⓘ |
| location |
Courtauld Gallery
ⓘ
London, England ⓘ
surface form:
London
|
| mainSubject | barmaid ⓘ |
| materialUsed |
canvas
ⓘ
oil paint ⓘ |
| movement |
Impressionism
ⓘ
Realism ⓘ |
| notableFor |
ambiguous spatial construction
ⓘ
complex mirror reflections ⓘ depiction of Parisian café-concert culture ⓘ innovative composition ⓘ modern subject matter ⓘ psychological ambiguity ⓘ |
| originalTitle |
Folies Bergère
ⓘ
surface form:
Un bar aux Folies Bergère
|
| partOf | Manet’s late works ⓘ |
| title | A Bar at the Folies-Bergère self-link ⓘ |
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.