“D’Eugène Delacroix au Néo-Impressionnisme”
E239643
“D’Eugène Delacroix au Néo-Impressionnisme” is an influential 1899 theoretical text by Neo-Impressionist painter Paul Signac that traces the evolution of modern painting from Delacroix to Pointillism and articulates the movement’s aesthetic principles.
All labels observed (1)
| Label | Occurrences |
|---|---|
| “D’Eugène Delacroix au Néo-Impressionnisme” canonical | 1 |
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
art history essay
ⓘ
book ⓘ theoretical art text ⓘ |
| aim |
to justify Neo-Impressionist methods
ⓘ
to trace the lineage of Neo-Impressionism ⓘ |
| artMovementContext | Post-Impressionism ⓘ |
| associatedWith |
Georges Seurat
ⓘ
Neo-Impressionism ⓘ
surface form:
Neo-Impressionist movement
|
| author | Paul Signac ⓘ |
| chronologicalScope | from Eugène Delacroix to Neo-Impressionism ⓘ |
| countryOfOrigin | France ⓘ |
| criticalReception | considered an influential text in modern art history ⓘ |
| describesTechnique |
Divisionism
ⓘ
Neo-Impressionism ⓘ
surface form:
Pointillism
|
| discussesArtist |
Camille Pissarro
ⓘ
Eugène Delacroix ⓘ Georges Seurat ⓘ Paul Signac ⓘ |
| focusesOnArtist |
Eugène Delacroix
ⓘ
Paul Signac ⓘ |
| genre | art theory ⓘ |
| historicalPerspective | links Romanticism to Neo-Impressionism ⓘ |
| importance | major theoretical statement of Neo-Impressionism ⓘ |
| influencedField |
art criticism
ⓘ
modern art theory ⓘ |
| influencedMovement | Neo-Impressionism ⓘ |
| keyConcept |
harmony of complementary colors
ⓘ
scientific basis for artistic practice ⓘ separation of color into small strokes or dots ⓘ |
| language | French ⓘ |
| medium | print ⓘ |
| movementDiscussed |
Neo-Impressionism
ⓘ
Neo-Impressionism ⓘ
surface form:
Pointillism
|
| period | late 19th century ⓘ |
| publicationYear | 1899 ⓘ |
| relatedConcept |
optical color mixing
ⓘ
scientific color theories of Michel-Eugène Chevreul ⓘ |
| subject |
aesthetic principles of Neo-Impressionism
ⓘ
color theory in painting ⓘ division of tones ⓘ evolution of modern painting ⓘ optical mixture ⓘ scientific approach to color ⓘ |
| titleTranslation | From Eugène Delacroix to Neo-Impressionism ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.